HEMAwear at Historica Archives - Revival Clothing Company

Swordplay HEMA Gloves

Nicole Allen — Wed, 02 Oct 2024 22:37:27 +0000

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Like any martial art, the art of the sword brings with it a host of bumps and bruises. Made from the same high-quality leather and stitch construction as our Padded Swordplay Gloves, these gloves have added, rigid knuckle plates on hand and thumb made of Carbon Kevlar, dense foam along the fingers and thumb, as well as all around the ‘gauntlet’ part of the glove for added wrist protection. The foam in these gloves is denser and more rigid providing extra protection, but patterned in such way as to provide coverage along your fingers, back of hand, knuckles and wrist while not restricting mobility. Our Rigid Plate HEMA Gloves are designed to help protect against light blows, works well as hand padding inside a buckler and while sparring with light weapons. Designed specifically for practitioners of the Historical European Martial Arts (HEMA) and Western Martial Arts (WMA) communities.

Also see our Swordplay Gloves and Padded Swordplay Gloves

Size Chart

Note: The measurements below represent the width at the widest, ‘meatiest’ part of the of the hand, not including the thumb (see photo above). Double this measurement to get the circumference around the hand.

Size	Glove Width
XS	4″ / 10 cm
Small	4.25″ / 11 cm
Medium	4.6″ / 11.5 cm
Large	4.75″ / 12 cm
XL	5″ / 12.7cm

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Padded HEMA Gloves

Nicole Allen — Wed, 02 Oct 2024 22:35:42 +0000

Click below for more details

ABOUT OUR RIGID PLATE HEMA GLOVES

Also see our Swordplay Gloves and Padded Swordplay Gloves

Size Chart

Size	Glove Width
XS	4″ / 10 cm
Small	4.25″ / 11 cm
Medium	4.6″ / 11.5 cm
Large	4.75″ / 12 cm
XL	5″ / 12.7cm

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Flowers of Battle Vol. III

csr — Wed, 29 Jun 2022 19:39:53 +0000

ABOUT FLOWERS OF BATTLE VOL. III

The warriors of medieval Italy practiced a complex and complete martial art, which included the wielding of sword, axe and spear with wrestling, knife-fighting and mounted combat. In the waning years of the 14th century, Fiore dei Liberi was a famed master of this art, whose students included some of the most renowned and dangerous fighting men of his day. Credited by fencing historians as the father of Italian swordsmanship, toward the end of his life, Master Fiore preserved his teachings in a series of illustrated manuscripts, four of which have survived to the present day, and have become the basis of a world-wide effort to reconstruct this lost martial art. This magnum opus, il Fior di Bataglia (The Flower of Battle), composed in early 1409, is one of the oldest, most extensive, and most clearly elucidated martial arts treatises from the medieval period.

Freelance Academy Press is proud to present Flowers of Battle, a multi-volume series of lavishly illustrated, hard-cover books, combining full-color facsimiles of the master’s original manuscripts; professional, annotated translations; and extensive, peer-reviewed essays. Vol. I: Historical Overview and the Getty Manuscript presents a complete translation, transcription and reproduction of the largest and most complete of the manuscripts. Serving as a sourcebook for the entire series, it also includes chapters on the life of Fiore dei Liberi, his students, and patrons; arms and armour in the Getty Manuscript; dueling and chivalric culture in Italy at the close of the 14th century; a detailed analysis of the manuscripts’ use of pedagogy, number and metaphor; and the Flower of Battle’s relationship to other medieval combat manuscripts. While serving as a record of a complete, medieval martial tradition, this volume also provides unique insights into the life, mindset, and milieu of the professional fighting man at the birth of the Italian Renaissance.

Volume Three:

Florius de Arte Luctandi presents a complete translation, transcription and reproduction of the chronologically last, most recently discovered, and visually most lush of the manuscripts. A posthumous work, from the moment of its discovery by translator Ken Mondschein, Florius has raised at least as many questions as it has answered: For whom was the manuscript created and why? Why was it translated into a complex, humanistic Latin, and from what prior source? Why are there clear differences between Florius and the other three manuscripts in nomenclature and instruction for some of the fundamental guards and techniques in the martial art they all describe, and do these changes reflect an evolution in the master’s thinking, or errors in transmission.

Authors Mondschein and Mele tackle all of these questions and more in a lavishly illustrated introduction that builds on the sourcebook provided in Volume I, seeking to set the manuscript in context, as an objet d’art, an example of Renaissance patronage, and as a practical martial arts memorial.

The Flowers of Battle Series Includes:

Vol. I: Historical Overview and the Getty Manuscript
Vol. III: Florius de Arte Luctandi

REVIEWS

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Fiore dei Liberi’s Armizare

csr — Tue, 28 Jun 2022 17:33:27 +0000

ABOUT ARMIZARE (“THE ART OF ARMS”)

Armizare (“the Art of Arms”) was the name the warriors of medieval Italy gave to their martial art, which included the wielding of sword, axe and spear with wrestling, knife-fighting and mounted combat. In the waning years of the 14th century, Fiore dei Liberi was a famed master of this art, whose students included some of the most renowned and dangerous fighting men of his day.

Toward the end of his life, Master Fiore preserved his teachings in a series of illustrated manuscripts, four of which have survived to the present day, and have become the basis of a world-wide effort to reconstruct this lost martial art. However, because medieval books were written for an audience with different expectations than the modern readers “how-to” manuals, today’s students often have trouble understanding the old swordsman’s choices in including, omitting or organizing information as he did. They may see that fighting art was a system, but lack the background to see the systematic instruction of the book itself.

In Armizare: The Chivalric Martial Arts System of il Fior di Battaglia, Robert Charrette brings together his experiences as a martial artist and respected 14th century living historian with his skills as a professional author graphic artist to not only take readers on a walking tour of Master Fiore’s manuscripts, but into the mindset behind its creation. More than just an interpretation of an old book’s contents, this is a tool-kit that reveals Fiore dei Liberi’s brilliance as not just a fighter, but as martial arts teacher. Whether a long-time student, a newcomer to the art or a more academic devoté of the medieval warrior and his craft, readers will find themselves educated and entertained as a door is opened into another time and place – the training hall of the medieval knight.

REVIEWS

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Fencing Mask

csr — Thu, 09 Jun 2022 20:32:49 +0000

ABOUT OUR FENCING MASK

Our black fencing mask is perfect for daily practice and protection against light blows
The high-strength shell, effective shock absorption, stable performance
Robust and durable, modern technology and excellent workmanship
Rivet design with super soft waterproof lining
This mask is measured according to the circumference of the area, please refer to the size chart below before ordering

How to measure for size:

Using a soft tape measure or string measure the circumference of your head, and make sure to keep it sung or else you’ll wind up with a mask that’s too large. Keep in mind, a correctly fitting mask will feel quite snug in the beginning. It is crucial that in order to protect you properly he mask fit snugly so that it does not move on your head with impact. If you have particularly thick hair you may want to go up a size to allow for comfort. As you wear it, the fabric cradle that holds the forehead and chin will as it mold to your head shape. In addition, the metal frame. fabric covered flap that extends from the top of the mask can be bent in different place to better fit your head. PLEASE NOTE: due to the nature of masks fitting so close to the face they are not eligible for exchange or return.

Size Chart – by head circumference

size XS S M L XL

inches 21 21-22 23-24 25-27 28 & up

REVIEWS

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Swept Hilt Rapier

csr — Thu, 09 Jun 2022 20:20:07 +0000

ABOUT OUR SWEPT HILT RAPIER

Perfect trainer for the Renaissance HEMA practitioner. Fencing in the Renaissance combines the quickness of light blades with the structure and spirit of the duel. Designed for the rapier fencer with a preference for the swept-hilt style. Also see our Cup Hilted Rapier for somewhat lighter training sword that come with its own scabbard!

Overall: 49 1/4″
Blade Length: 43″
Weight: 2lb 5oz
Blade Steel: 1566

REVIEWS

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Cup Hilt Rapier with Scabbard

csr — Thu, 09 Jun 2022 20:12:53 +0000

ABOUT OUR CUP HILT RAPIER

Perfect trainer for the Renaissance HEMA practitioner. Fencing in the Renaissance combines the quickness of light blades with the structure and spirit of the duel. Designed for the rapier fencer with a preference for the cup-hilt style. The rapier blade is similar in design to the practical blades for the swept-hilts but the length of the tang is adapted to the cup-hilt. Comes with its own scabbard for storage and display!

Overall: 44 1/2″
Blade Length: 37″
Weight: 2lb
Point of Balance: 5 1/2″
Point of Harmonics: 20″
Width at Guard: .75″
Width at Tip: .40″
Thickness at Guard: .25″
Thickness at Tip: .10″
Blade Steel: 9260

REVIEWS

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Synthetic Longsword

csr — Thu, 09 Jun 2022 20:05:43 +0000

ABOUT OUR SYNTHETIC LONGSWORD

We’ve tried many synthetic trainers and recommend the Rawlings plastic longsword. It’s much lighter than a steel weapon, but it’s balanced properly. Its weight and its material makes it suitable for kids as well as adults.

These nylon trainers are perfect for beginners with a smaller budget, younger partner, or nervous first-timer. And, you can skip cleaning and oiling, these can’t rust! Some more info: Developed in conjunction with Dave Rawlings, founder of the London Longsword Academy, our line of nylon polymer sparring swords is rapidly finding favour with European broadsword sparring enthusiasts. Made in the UK, the swords are crafted in a special-purpose high-impact polymer and provide a more realistic replacement for the wooden waster for drilling and pell work, at the same time providing a safer alternative for the steel blunt in contact sparring when used with appropriate protection. This range of swords is now standard in three of the largest HEMA competitions in the world and is constantly being adopted for other smaller competitions and tourneys.

Overall: 48 1/2″
Blade Length: 38″
Handle Length: 10 1/4″
Weight: 1lb 12oz
Point of Balance: 6″

Specs will vary slightly from piece to piece.

REVIEWS

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HEMA Sword Bag

csr — Thu, 09 Jun 2022 19:50:56 +0000

ABOUT OUR HEMA SWORD BAG

Length: 57″
Full side zipper
Large enough to hold swords, fencing mask and more
Several exterior packets to organize your gear
Side handle and backpack straps for ease of transport
Made of heavy duty poly duck fabric
Open at top for longer weapons

REVIEWS

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Steel Longsword with Scabbard

csr — Thu, 09 Jun 2022 19:50:52 +0000

ABOUT OUR STEEL LONGSWORD

Our steel swords are Tinker brand and were developed by HEMA practitioners for regular practice. All trainers have blunt edges and rounded tips. These are properly balanced, sturdy, and very affordable for steel. Comes with a scabbard, for storage and display. Care for these is the same as any steel weapon: keep it oiled!

Overall: 47″
Blade Length: 35″
Handle Length: 12″
Weight: 2lb 14oz
Point of Balance: 3 1/2″
Point of Harmonics: 21 3/4″
Width at Guard: 2 1/4″
Width at Tip: 11/16″
Thickness at Guard: .25″
Thickness at Tip: .07″
Blade Steel: 5160

REVIEWS

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