Made To Order Archives - Revival Clothing Company https://revivalclothing.com/product-category/all-products/made-to-order/ Quality clothing and accessories for medieval re-enactors Tue, 06 May 2025 22:08:56 +0000 en-US hourly 1 https://wordpress.org/?v=6.8.3 https://revivalclothing.com/wp-content/uploads/2019/04/favicon.ico Made To Order Archives - Revival Clothing Company https://revivalclothing.com/product-category/all-products/made-to-order/ 32 32 Wool Backlaced Gown https://revivalclothing.com/product/wool-backlaced-gown/ https://revivalclothing.com/product/wool-backlaced-gown/#respond Tue, 06 May 2025 21:47:58 +0000 https://revivalclothing.com/?post_type=product&p=48734
    • Based on contemporary medieval artwork(see Historical Inspirations below)
    • Also available in Linen
    • All interior seams enclosed or finished
    • Available in a medieval palette of natural and jewel tones
    • Can be custom ordered in any color combination as a Parti-colored gown +$50
    • If you choose parti-colored option add your color choices in the comments box during checkout
    • No visible machine stitching
    • Backlaced closure allows for near custom fit
    • Lace available in natural or black(+$5)
    • Comes in five sizes to accommodate most body types
    • size 6 is available as a custom order +$50
    • If you would like to order this in one of our patterned wools – use that selection in the drop down and specify which pattern(from the swatches below) in the notes of your order.
    • This style is made to order so please allow 4-6 weeks for delivery and it is not eligible for exchange or return
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    Click below for more details

    Size Chart

    Note: In our women’s clothes we’ve abandoned ‘standard’, modern sizing because it is far from standard, and tends to cause more confusion than provide accurate information. So, please judge your size by your chest and waist measurements. We do not give hip measurements because the gown flares dramatically at the hip and is so generously sized there that fit is not an issue at that point. A range of fit is given for each size because the lacings and placket in the back start at the top and extend to below the hip providing flexibility within each size as well as a near perfect fit to each individual within that size range. The gowns run long with a small train so that you can wear them in the authentic fashion of the period – trailing along the ground or hem it to your desired length.

    Size

    Bust Measurement

    Waist Measurement

    2

    36- 40″

    28- 34″

    3

    40- 44″

    31- 39″

    4

    44- 50″

    36- 44″

    5

    50- 56″

    44-52″

    6

    56- 62″

    50- 56″

    Size 6 is available made-to-order only.

    Wool Colors:
     

    Red, Burgundy, Royal Blue, Hunter Green, Jade Green, Purple, Black, Dark Brown, Camel, Assorted Patterned Wools

    (Please don’t hesitate to email, call or text us (708-502-1937) with any questions about available patterned wools)

    Note: Please note, with the difficulty of accurately representing colors on a variety of monitors, the color names are meant as descriptions along with the swatches. Please use both when deciding on what color to order. Also, despite how the colors may appear on your monitor the same color names in Wool, Silk and Linen are different and do not exactly coordinate.

    In the 14th century clothing moved away from simple variants of the tunic towards sleek, elegant lines that emphasized the human form. The basic woman’s gown of this era is elegant simplicity, naturally following the contours of the body, with a wide neckline – the height of 1300s daring! Our gown is based on contemporary artwork. We have retained all of the classic elements of the historical design: fitted sleeves extending down unto the hand, full skirts, and a wide, rounded neckline. The skirts run long with a small train so that you can wear them in the authentic fashion of the nobility – trailing along the ground – or you can hem it to your desired length. As was done in the 14th century, this gown can be worn alone, over an underdress or chemise or beneath a sideless surcoat or houppelande.

    Since ladies are rarely depicted from behind in illuminations, the exact closure method for these gowns is unknown. We have chosen to use a simple, back-lacing method that was common in both earlier and later centuries. A range of fit is given for each size because the lacings and placket in the back start at the top and extend to below the hip, providing flexibility within each size as well a near perfect fit to each individual within that size range. The placket is designed so that, no matter how tight or how loose the dress is laced, you are always completely covered. Our standard lace is a natural color or you can get black for an additional charge.

    Drawing after a detail of the Book of Hours for Franciscan Use circa late 14th century in The Bibliotheque National, Paris, France

    Drawing after the Hours of Milan circa 1380

    Drawing after the effigy of Lady Burton circa 1382 in The Little Casterton Church,Rutlandshire, England

    Drawing after the Tacuinum Sanitatis

    Drawing after The Viconti Hours circa 1390 in The National Library, Florence , Italy

    A joyous lady wears a stunning white linen backlace gown, contrasted with a purple linen Liripipe Hood and Turret Hat, which is held in place with a linen Barbette.

    A lady models our linen backlace gown in gold

    A lady models our linen backlace gown in dark green, complemented with a white linen Veil.

    A back view of our backlace gown with natural lacing.

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    Linen Meyer Pants https://revivalclothing.com/product/linen-meyer-pants/ https://revivalclothing.com/product/linen-meyer-pants/#respond Wed, 10 Aug 2022 17:57:54 +0000 https://revivalclothing.com/?post_type=product&p=42065
    • Designed by re-enactors, HEMA practitioners, and researchers based on historical patterns
    • Made of 100% Lightweight and Heavyweight Linen
    • Laced waistband and cuffs for a custom fit
    • Added crotch gusset for mobility
    • Available in a medieval palette of natural and jewel tones
    • For coordinating Linen Doublet pictured, see our 15th c.- 16thc. Short Doublet
    • For heavy cotton HEMA version see our sister line at Hemawear.com
    • Available in M, L, XL
    • Refer to our size chart below when choosing your size
    • Please note these are made to order and therefore are not eligible for exchange or return. Production time is at least 4-6 weeks.
    • Please don’t hesitate to email, call or text us (708-502-1937) with any questions.
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    Size Chart

    Size

    Waist Measurement

    Hip Measurement

     
        

    Medium

    32″-36″ / 86 cm

    40″ / 104 cm

     

    Large

    36″-40″ / 96 cm

    43″ / 109 cm

     

    XLarge

    40-44″ / 106 cm

    46″ / 116 cm

     

    Heavyweight Linen Colors:

    White, Black, Red, Royal Blue, Gold, Dark Green

    Note: Please note, only some colors are available in the heavier weight linen we use in making this product. Also, with the difficulty of accurately representing colors on a variety of monitors, the color names are meant as descriptions along with the swatches. Please use both when deciding on what color to order. Also, despite how the colors may appear on your monitor the same color names in Wool, Silk and Linen are different and do not exactly coordinate.

    Lightweight Linen Colors:

    White, Black, Red, Royal Blue, Burgundy, Purple

    Slate Blue, Sage Green, Dark Green, Oatmeal, Brown, Gold

    Note: Please note, only some colors are available in the heavier weight linen we use in making this product. Also, with the difficulty of accurately representing colors on a variety of monitors, the color names are meant as descriptions along with the swatches. Please use both when deciding on what color to order. Also, despite how the colors may appear on your monitor the same color names in Wool, Silk and Linen are different and do not exactly coordinate.

    Lace Options:

    Natural, Black

    The interest in Medieval and Renaissance HEMA(Historical European Martial Arts) has grown dramatically over the last couple of decades. Dozens of manuscripts and printed books survive from the period 1300-1600, detailing the historical use of a wide variety of weapons, wielded in and out of armour, on foot and on horseback.

    Inspired by the work of Joachim Meyer(ca. 1537 – 1571) and designed to compliment our Unpadded HEMA jacket, Padded HEMA jacket and Renaissance Fencing Doublet, our Meyer Fencing Pants are constructed for ease of movement and distinct historical style to represent you while fencing and training. Our design includes double stitched seams for strength on the under layer, a crotch gusset to allow more extreme motions, like the lunge and laced closure at the waist and cuff for a custom fit. Available in jewel tones and custom colors. Please note, custom orders are not eligible for return or exchange. For a simpler, sleeker version see our Fencing Knickers and 3/4 Athletic Pants. We also have over-the-knee socks in rainbow of colors to wear with these!

    This fighter prepares for a sparring match dressed in his finest garbs. he wears a well fitted black Renaissance Wrestling Jacket, paired with a sharp pair of  Meyer Fencing Pants made with a custom gold contrast color. he finishes the look with a pair of black Tall Athletic Socks.

    A fighter stands victorious, having removed her fencing doublet to reveal a simple black undershirt tucked into the waistband of her dark green Meyer Pants. She finishes her look with a pair of black Tall Athletic Socks.

    A confident fencer shows off his smart, all blue ensemble. He wears a tight fitting Fencing Doublet which contrast nicely with his flowing and loose Meyer Pants. he finishes his look with black Tall Athletic Socks.

    The fighter on the left pairs a red Renaissance Wrestling Jacket with black 3/4 Length Athletic Pants. She finishes the look with a pair of black Tall Athletic Socks.

    The fighter on the right he wears a well fitted black Renaissance Wrestling Jacket, paired with a sharp pair of  Meyer Fencing Pants made with a custom gold contrast color. he also finishes his look with a pair of black Tall Athletic Socks.

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    15th c.- 16th c. Short Doublet – Linen, Wool or Brocade https://revivalclothing.com/product/late-15th-c-short-linen-doublet/ https://revivalclothing.com/product/late-15th-c-short-linen-doublet/#respond Wed, 10 Aug 2022 16:42:56 +0000 https://revivalclothing.com/?post_type=product&p=42059
    • Based on contemporary artwork(see Historical Inspirations below)
    • Flattering and authentic fit with a lightly padded front piece for a crisp silhouette
    • Made in Linen, lined in cotton(for sturdiness to help keep shape)
    • Can also be made in wool or brocade - see fabric page for color options and add color choice in notes of order
    • For wool or brocade option we encourage you to contact us for current options in stock
    • For coordinating pieces see our Wool or Cotton Joined Hose or our linen Meyer Pants(pluderhosen shown in photos)
    • Alternatively, see our longer, earlier 15th c. doublet in Linen, Wool or Brocade
    • No visible machine stitching except eyelets
    • Comes in three sizes to accommodate most body types
    • Points available in standard natural with plastic tips or colors with metal tips
    • Please note these are made to order and therefore are not eligible for exchange or return. Production time is usually about 4 weeks.
    • Please don’t hesitate to email  call or text us (708) 502-1937 with any questions about options or availability.
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    Size Chart

    Note: our Late 15th c. Short Doublet is somewhat fitted so use both chest and waist measurements to determine your size.

    Size

    Max. Chest Measurement

    Max. Waist Measurement

    Medium

    fits up to 42″ / 106 cm

    38″ / 96 cm

    Large

    fits up to 48″ / 121 cm

    45″ / 114 cm

    XLarge

    fits up to 52″ / 132 cm

    48″ / 121 cm

    White, Black, Red, Royal Blue, Burgundy, Purple

    Slate Blue, Sage, Dark Green, Oatmeal, Dark Brown, Gold

    Note: Please note, with the difficulty of accurately representing colors on a variety of monitors, the color names are meant as descriptions along with the swatches. Please use both when deciding on what color to order. Also, despite how the colors may appear on your monitor the same color names in Wool, Silk and Linen are different and do not exactly coordinate.

    Lace Options:

    Shown: Black and Natural laces with metal tips

    Natural comes in both silver and brass

    Shown: Colored Lacing Points

    Colored laces come with silver metal tips only.

    For as much that the excessive vanity and wickedness of young men has grown to a very great height, so that many foul customs of dress are now found throughout every land. One thing in particular is the shameful practice of wearing the [doublet] cut of such brevity so that not only is boasted the turn and fullness of the calf, but that the port-piece and very curve of the buttock might thereby be revealed.

    From a 1423 French ecclesiastical condemnation of men’s fashions.

    In the late 14th century, the shorter, well fitted cotehardie had rocked the sensibilities of Churchman, who were aghast at men showing off their legs. But their admonitions proved little more effective than a 1990s father’s horror at his daughter’s low-rise jeans, and in much the same manner, the more they flustered, the more they were ignored! By the early 15th century, the cotehardie had become so short that the old style of chauses and braies had to be replaced with new joined hose that pointed directly to the cotte. This was the birth of the doublet, the dramatic, and final reinvention of men’s fashions in the Middle Ages that would give rise to the fashions of the Renaissance. In the late 15th century and well into the 16th century the doublet evolved and itself got shorter. It can be seen to the worn with joined hose and later, trunk hose as well as the distinctly elaborate pluderhosen(as shown in our photos).

    Besides its close fit, the doublet retained many elements of its predecessor, particularly the tight, laced or buttoned forearms, and its suitability for production in both simple and sumptuous fabrics. Besides its short length, however, one of the doublet’s distinctive trademarks in this period were full upper arms, raised or “puffed” shoulders, and simple tie closures down the front. We have chosen to replicate all of these elements in our doublet, which based on a late 15th century style that developed in the wealthy and fashion-conscious cities of Italy, spread into Austria and southern Germany and from there became popular throughout central and western Europe. We have these style elements are extremely flattering to most figures – with a smooth, tailored silhouette and broad shoulders.

    Like the originals, our doublet is of a cut that was popular with the nobility and the wealthy mercantile classes. The shortness of the doublet meant to perfectly showcase our Meyer Pants(pluderhosen). Perhaps more than at any other point in the Middle Ages, clothing in this period was about dramatically standing out from the crowd. To help you do just that, we recommend you add our woolen hood worn as a chaperone to complete the look of the dashing courtier or man of means.

    Detail from the fresco by Domenico di Bartolo and Lorenzo di Pietro in the Hospital of Santa Maria della Scala in Sienna, Italy circa 1440

    Detail from a Lassone panel painted in Florence and currently in the collection of the Earl of Crawford in London, England, circa 1448

    Detail from a portrait by Pisanello in the Uffizi in Florence, Italy circa 1445-50

    Detail from fresco by Masalino da Panicale in San Clemente in the chapel of Cadinal Banda in the Castiglione, Rome Italy circa 1431

    Detail from the fresco by Domenico di Bartolo and Lorenzo di Pietro in the Hospital of Santa Maria della Scala in Sienna, Italy circa 1444

    Drawing after a Book of Hours by Jean Fouquet in the Musee Conde, Chantilly, France circa 15th century

    Drawing after detail of a fresco by Gregorio Franceschino in the Tomb Chapel in the Cathedral of San Giovanni Batista in Monza, Italy circa the first half of the 15th century

    This dashing Noble cuts a sleek with his red  Joined Hose and black linen Doublet. they are supported from underneath by his Shirt and Braies.  To show of the curve of his leg, he wraps a pair of black wool Garters at his knee. He matches his Doublet to his black Turnshoes.

    This Noble as opted for a splash of color. His sunshine gold Doublet is pair with green Joined Hose and tied at the knee with ribbon Garters. As with any respectable gentleman,  his Shirt and Braies are tucked beneath out of sight. He decorates his waist with a brown Belt and finishes his look with Turn Boots and an Acorn Hat.

    Bottom Left: Our 15th century Wool Doublet in Dark Green worn with our 15th century Shirt, Wool Joined Hose, Wool Hood, and Black Turnshoes.
    Center: He’s wearing our 15th century Brocade Doublet worn with our 15th century Shirt, Wool Joined Hose, and Golden Brown Turnshoes.
    She’s wearing our 15th century Brocade Houppelande in Burgundy with white Linen Underdress and Silk Organza Veil.
    Top Right: Our 15th century Linen Doublet in Black worn with our 15th century Shirt, Cotton Joined Hose in Burgundy, Ribbon Garters and Turnshoes.

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    10-11th c. Wool Viking Coat https://revivalclothing.com/product/wool-viking-coat/ https://revivalclothing.com/product/wool-viking-coat/#respond Wed, 06 Nov 2019 23:27:20 +0000 https://revivalclothing.com/?post_type=product&p=36074
    • Based on period sources, using authentic lines (see Historical Inspirations below)
    • Affordable price makes it ideal for a new reenactor dressing up an existing wardrobe
    • Also available in linen
    • All interior seams enclosed or finished
    • Available in a wide variety of colors
    • No visible machine stitching
    • Comes in two sizes to accommodate most body types
    • If you would like to order this in one of our patterned wools - use that selection in the drop down and specify which pattern(from the swatches below) in the notes of your order.
    • This style is made to order so please allow 4-6 weeks for delivery
    • Please don’t hesitate to email  call or text us (708-502-1937) with any questions about stock or availability.'
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    Size Chart

    Note: Sizing on our Viking Coat is judged by chest size because it flares out and is meant to fit loosely in the waist and worn with a belt to complete the shape and look (as shown in our photos). The length is measured from the shoulders to the hem.

    Size

    Max. Chest Measurement

    Small/Medium

    44″ / 112 cm

    Large/Xlarge

    58″ / 147 cm

    Wool Colors:

    Red, Burgundy, Royal Blue, Hunter Green, Purple, Black

    Dark Brown, Camel, Patterned Wool (Please don’t hesitate to email, call or text us (708-502-1937) with any questions about available patterned wools)

    About our Viking Coat

    Viking Clothing consists of many layers the top layer often being a woolen coat.  Wool Coats or Kaftans were worn by both men and women.  Viking royalty or wealthy nobles might have their coats lined in silk or decorated with embroidery down the front and on the cuffs.  We have based our Viking Coat on a number of sources from early saxon graves to surviving fragments from Birka and Hedeby and engravings on items such as the Sutton Hoo helmet. A Viking Coat or Kaftan was common throughout Scandinavia, anglo-saxon settlements all the way to the eastern Rus areas.  The Revival Viking Coat fits loose through the chest then flares out widely with side and back gores to create a full bottom hem at knee length. The Viking Coat features a contrasting front facing and sleeve cuffs.  The front of the Viking Coat overlaps Kaftan style at the waist when worn belted.  The front can be worn open, belted or closed with a brooch.

    About our Viking Age / Early Medieval Line

    “AD. 793. This year came dreadful fore-warnings over the land of the Northumbrians, terrifying the people most woefully: these were immense sheets of light rushing through the air, and whirlwinds, and fiery dragons flying across the firmament. These tremendous tokens were soon followed by a great famine: and not long after, on the sixth day before the ides of January in the same year, the harrowing inroads of heathen men made lamentable havoc in the church of God in Holy-island (Lindisfarne), by rapine and slaughter.” – The Anglo Saxon Chronicle

    In the late 8th century, Scandinavian sea-pirates sacked the island monastery of Lindisfarne, heralding in the so-called Viking Age, a term applied to the eighth through eleventh centuries, in which Norsemen traders and raiders, explored Europe, and settled in Normandy, Iceland, Greenland, Newfoundland, and Vinland. To the east, they set themselves up as the rulers of Russian Kiev, pressed into Anatolia and took service as the famed Varangian Guard of the Byzantine Emperors.

    The period leading to the Viking Age was a conservative one, with localized cultures and limited trade. Consequently, many similarities of cut and fit exist between late Roman era Germanic dress and Viking era, Scandinavian clothes, until very late in the period.

    Read more about Viking culture in our From the Pen of History article: The Gift of a Shirt

    We have based our Viking Coat on a number of sources from early saxon graves to surviving fragments from Birka and Hedeby and engravings on items such as the Sutton Hoo helmet.

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    15th c. Wool Doublet https://revivalclothing.com/product/wool-doublet/ https://revivalclothing.com/product/wool-doublet/#respond Fri, 02 Aug 2019 18:02:32 +0000 https://revivalclothing.com/?post_type=product&p=34315
    • Based on contemporary medieval artwork(see Historical Inspirations below)
    • Authentic lines for a comfortable, distinguished look
    • Also available in Linen and Brocade
    • All interior seams enclosed or finished
    • Available in a medieval palette of natural and jewel tones
    • If you would like to order this in one of our patterned wools – use that selection in the drop down and specify which pattern(from the swatches below) in the notes of your order.
    • No visible machine stitching except buttonholes
    • Comes in three sizes to accommodate most body types
    • Can be custom ordered in any color combination as a Parti-colored +$40
    • If you would like to this in parti-colored combo –  use that selection in the drop down and specify which two colors you would like(limited to colors listed in swatches below
    • You can upgrade to metal tipped points (+$24) that come in natural and colors
    • This style is made to order so please allow 4-6 weeks for delivery
    • Please don’t hesitate to email call or text us(708) 502-1937) with any questions about stock or availability.
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    Size Chart

    Note: our 15th century men’s doublet is somewhat fitted so use both chest and waist measurements to determine your size.

    Size

    Max. Chest Measurement

    Max. Waist Measurement

    Medium

    fits up to 42″ / 106 cm

    38″ / 96 cm

    Large

    fits up to 48″ / 121 cm

    45″ / 114 cm

    XLarge

    fits up to 52″ / 132 cm

    48″ / 121 cm

    Wool Colors:

     

    Red, Burgundy, Royal Blue, Hunter Green, Purple

    Dark Brown, Camel, Patterned Wool (Email, Call or text us (708 – 502 -1937) for available patterned wools)

    Lace Options:

    Shown: Black and Natural laces with metal tips

    Natural comes in both silver and brass

    Shown: Colored Lacing Points

    Colored laces come with silver metal tips only

    Forasmuch that the excessive vanity and wickedness of young men has grown to a very great height, so that many foul customs of dress are now found throughout every land. One thing in particular is the shameful practice of wearing the [doublet] cut of such brevity so that not only is boasted the turn and fullness of the calf, but that the port-piece and very curve of the buttock might thereby be revealed.

    -From a 1423 French ecclesiastical condemnation of men’s fashions.

    In the 1340s, the short, tight cotehardie had rocked the sensibilities of Churchman, who were aghast at men showing off their legs. But their admonitions proved little more effective than a 1990s father’s horror at his daughter’s low-rise jeans, and in much the same manner, the more they flustered, the more they were ignored! By the early 15th century, the cotehardie had become so short that the old style of chausses and braies had to be replaced with new joined hose that pointed directly to the cotte. This was the birth of the doublet, the dramatic, and final reinvention of men’s fashions in the Middle Ages that would give rise to the fashions of the Renaissance.

    Besides its close fit, the doublet retained many elements of its predecessor, particularly the tight, buttoned forearms, and its suitability for production in both simple and sumptuous fabrics. Besides its short length, however, one of the doublet’s distinctive trademarks in this period were full upper arms, raised or “puffed” shoulders, and simple tie closures down the front. We have chosen to replicate all of these elements in our doublet, which based on a mid-century style that developed in the wealthy and fashion-conscious cities of Italy, spread into Austria and southern Germany and from there became popular throughout central and western Europe. We have these style elements are extremely flattering to most figures – with a smooth, tailored silhouette and broad shoulders. Like the originals, our doublet is of a cut that was popular with the nobility and the wealthy mercantile classes, and is produced in both rich brocades and all-natural wools in variety of colors. The pointing holes on the short skirt, or peplum, are designed to perfectly match those of our joined hose. Perhaps more than at any other point in the Middle Ages, clothing in this period was about dramatically standing out from the crowd. To help you do just that, we recommend you add our woolen hood worn as a chaperone to complete the look of the dashing courtier or man of means.

    Detail from the fresco by Domenico di Bartolo and Lorenzo di Pietro in the Hospital of Santa Maria della Scala in Sienna, Italy circa 1440

    Detail from a Lassone panel painted in Florence and currently in the collection of the Earl of Crawford in London, England, circa 1448

    Detail from a portrait by Pisanello in the Uffizi in Florence, Italy circa 1445-50

    Detail from fresco by Masalino da Panicale in San Clemente in the chapel of Cadinal Banda in the Castiglione, Rome Italy circa 1431

    Detail from the fresco by Domenico di Bartolo and Lorenzo di Pietro in the Hospital of Santa Maria della Scala in Sienna, Italy circa 1444

    Drawing after a Book of Hours by Jean Fouquet in the Musee Conde, Chantilly, France circa 15th century

    Drawing after detail of a fresco by Gregorio Franceschino in the Tomb Chapel in the Cathedral of San Giovanni Batista in Monza, Italy circa the first half of the 15th century

    The noble strikes a regal pose in his burgundy wool Doublet, black wool Chaperone, and black Joined Hose. His leather Belt and Tall Boots add a touch of rustic essence to his elevated status

    Right: This Noble as opted for a splash of color. His sunshine gold linen Doublet is pair with green Joined Hose and tied at the knee with ribbon Garters. As with any respectable gentleman,  his Shirt and Braies are tucked beneath out of sight. He decorates his waist with a brown Belt and finishes his look with Turnshoes and an Acorn Hat.

    Left: This Lady glows in her copper Brocade Houppelande and red Kirtle. She pins a lovely Brooch to her chest and adds height to her look with a gold brocade Henin.

    Left: This Lord kneels in admiration of his Lady in his green Wool Doublet and burgundy Joined Hose. He wears black Turnshoes to match his leather Belt and Pouch.

    Right: The lady dons a sage linen Frontlaced Gown, Chemise, and gold Half Sleeves. She ties a decorated belt around her waist. She wears her hair pinned back with a barbette and veil.

    This noble stands tall and proud in our 15th century Wool Doublet in Dark Green worn with our 15th century Shirt, Wool Joined Hose, Wool Hood, and Black Turnshoes.

    This dashing Noble cuts a sleek with his red  Joined Hose and black linen Doublet. they are supported from underneath by his Shirt and Braies.  To show of the curve of his leg, he wraps a pair of black wool Garters at his knee. He matches his Doublet to his black Turnshoes.

    Left: The noble strikes a regal pose in his burgundy wool Doublet, navy wool Chaperone, and navy Joined Hose. His leather Belt and Tall Boots add a touch of rustic essence to his elevated status

     

    Right: This Lady smiles serenely in her in green brocade Houppelande and red wool Kirtle. Beneath she conceals a chemise and stockings, as well as garters and shoes.

    Bottom Left: Our 15th century Wool Doublet in Dark Green worn with our 15th century Shirt, Wool Joined Hose, Wool Hood, and Black Turnshoes.
    Center: He’s wearing our 15th century Brocade Doublet worn with our 15th century Shirt, Wool Joined Hose, and Golden Brown Turnshoes.
    She’s wearing our 15th century Brocade Houppelande in Burgundy with white Linen Underdress and Silk Organza Veil.
    Top Right: Our 15th century Linen Doublet in Black worn with our 15th century Shirt, Cotton Joined Hose in Burgundy, Ribbon Garters and Turnshoes.

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    15th c. Linen Doublet https://revivalclothing.com/product/linen-doublet/ https://revivalclothing.com/product/linen-doublet/#respond Wed, 08 May 2019 19:10:31 +0000 https://revivalclothing.com/?post_type=product&p=33476
    • Based on contemporary medieval artwork(see Historical Inspirations below)
    • Authentic lines for comfortable, distinguished look
    • Made in Linen, lined in cotton
    • Also available in Brocade or Wool
    • No visible machine stitching except buttonholes
    • Comes in three sizes to accommodate most body types
    • Can be custom ordered in any color combination as a Parti-colored +$40
    • If you would like to this in parti-colored combo –  use that selection in the drop down and specify which two colors you would like(limited to colors listed in swatches below
    • You can upgrade to metal tipped points (+$24) that come in natural and colors
    • This style is made to order so please allow 4-6 weeks for delivery
    • Please don’t hesitate to email  call or text us (708) 502-1937) with any questions about stock or availability.
  • The post 15th c. Linen Doublet appeared first on Revival Clothing Company.

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    Size Chart

    Note: our 15th century men’s doublet is somewhat fitted so use both chest and waist measurements to determine your size.

    Size

    Max. Chest Measurement

    Max. Waist Measurement

    Medium

    fits up to 42″ / 106 cm

    38″ / 96 cm

    Large

    fits up to 48″ / 121 cm

    45″ / 114 cm

    XLarge

    fits up to 52″ / 132 cm

    48″ / 121 cm

    White, Black, Red, Royal Blue, Burgundy, Purple

    Slate Blue, Sage, Dark Green, Oatmeal, Dark Brown, Gold

    Note: Please note, with the difficulty of accurately representing colors on a variety of monitors, the color names are meant as descriptions along with the swatches. Please use both when deciding on what color to order. Also, despite how the colors may appear on your monitor the same color names in Wool, Silk and Linen are different and do not exactly coordinate.

    Lace Options:

    Shown: Black and Natural laces with metal tips

    Natural comes in both silver and brass

    Shown: Colored Lacing Points

    Colored laces come with silver metal tips only.

    Forasmuch that the excessive vanity and wickedness of young men has grown to a very great height, so that many foul customs of dress are now found throughout every land. One thing in particular is the shameful practice of wearing the [doublet] cut of such brevity so that not only is boasted the turn and fullness of the calf, but that the port-piece and very curve of the buttock might thereby be revealed.

    -From a 1423 French ecclesiastical condemnation of men’s fashions.

    In the 1340s, the short, tight cotehardie had rocked the sensibilities of Churchman, who were aghast at men showing off their legs. But their admonitions proved little more effective than a 1990s father’s horror at his daughter’s low-rise jeans, and in much the same manner, the more they flustered, the more they were ignored! By the early 15th century, the cotehardie had become so short that the old style of chausses and braies had to be replaced with new joined hose that pointed directly to the cotte. This was the birth of the doublet, the dramatic, and final reinvention of men’s fashions in the Middle Ages that would give rise to the fashions of the Renaissance.

    Besides its close fit, the doublet retained many elements of its predecessor, particularly the tight, buttoned forearms, and its suitability for production in both simple and sumptuous fabrics. Besides its short length, however, one of the doublet’s distinctive trademarks in this period were full upper arms, raised or “puffed” shoulders, and simple tie closures down the front. We have chosen to replicate all of these elements in our doublet, which based on a mid-century style that developed in the wealthy and fashion-conscious cities of Italy, spread into Austria and southern Germany and from there became popular throughout central and western Europe. We have these style elements are extremely flattering to most figures – with a smooth, tailored silhouette and broad shoulders. Like the originals, our doublet is of a cut that was popular with the nobility and the wealthy mercantile classes, and is produced in both rich brocades and all-natural wools in variety of colors. The pointing holes on the short skirt, or peplum, are designed to perfectly match those of our joined hose. Perhaps more than at any other point in the Middle Ages, clothing in this period was about dramatically standing out from the crowd. To help you do just that, we recommend you add our woolen hood worn as a chaperone to complete the look of the dashing courtier or man of means.

    Detail from the fresco by Domenico di Bartolo and Lorenzo di Pietro in the Hospital of Santa Maria della Scala in Sienna, Italy circa 1440

    Detail from a Lassone panel painted in Florence and currently in the collection of the Earl of Crawford in London, England, circa 1448

    Detail from a portrait by Pisanello in the Uffizi in Florence, Italy circa 1445-50

    Detail from fresco by Masalino da Panicale in San Clemente in the chapel of Cadinal Banda in the Castiglione, Rome Italy circa 1431

    Detail from the fresco by Domenico di Bartolo and Lorenzo di Pietro in the Hospital of Santa Maria della Scala in Sienna, Italy circa 1444

    Drawing after a Book of Hours by Jean Fouquet in the Musee Conde, Chantilly, France circa 15th century

    Drawing after detail of a fresco by Gregorio Franceschino in the Tomb Chapel in the Cathedral of San Giovanni Batista in Monza, Italy circa the first half of the 15th century

    This dashing Noble cuts a sleek with his red  Joined Hose and black linen Doublet. they are supported from underneath by his Shirt and Braies.  To show of the curve of his leg, he wraps a pair of black wool Garters at his knee. He matches his Doublet to his black Turnshoes.

    This Noble as opted for a splash of color. His sunshine gold Doublet is pair with green Joined Hose and tied at the knee with ribbon Garters. As with any respectable gentleman,  his Shirt and Braies are tucked beneath out of sight. He decorates his waist with a brown Belt and finishes his look with Turn Boots and an Acorn Hat.

    Bottom Left: Our 15th century Wool Doublet in Dark Green worn with our 15th century Shirt, Wool Joined Hose, Wool Hood, and Black Turnshoes.
    Center: He’s wearing our 15th century Brocade Doublet worn with our 15th century Shirt, Wool Joined Hose, and Golden Brown Turnshoes.
    She’s wearing our 15th century Brocade Houppelande in Burgundy with white Linen Underdress and Silk Organza Veil.
    Top Right: Our 15th century Linen Doublet in Black worn with our 15th century Shirt, Cotton Joined Hose in Burgundy, Ribbon Garters and Turnshoes.

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    15th c. Brocade Doublet https://revivalclothing.com/product/brocade-doublet/ https://revivalclothing.com/product/brocade-doublet/#respond Fri, 21 Dec 2018 03:27:57 +0000 https://revivalclothing.com/?post_type=product&p=32477
    • Based on contemporary medieval artwork(see Historical Inspirations below)
    • Authentic lines for a comfortable, distinguished look
    • Made in Brocade or Velvet Brocade, lined in cotton
    • Also available in Linen or Wool
    • Comes in a dazzling array of jewel tones and neutrals in a two tone contrasting floral pattern
    • No visible machine stitching except buttonholes
    • Comes in three sizes to accommodate most body types
    • If you would like to order this in one of our velvet brocades – use that selection in the drop down and specify which pattern(from the swatches below) in the notes of your order.
    • You can upgrade to metal tipped points (+$24) that come in natural and colors
    • This style is made to order so please allow 4-6 weeks for delivery
    • Please don’t hesitate to email  call or text us (708) 502-1937) with any questions about stock or availability.
  • The post 15th c. Brocade Doublet appeared first on Revival Clothing Company.

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    Size Chart

    Note: our 15th century men’s doublet is somewhat fitted so use both chest and waist measurements to determine your size.

    Size

    Max. Chest Measurement

    Max. Waist Measurement

    Medium

    fits up to 42″ / 106 cm

    38″ / 96 cm

    Large

    fits up to 48″ / 121 cm

    45″ / 114 cm

    XLarge

    fits up to 52″ / 132 cm

    48″ / 121 cm

    Brocade Colors:

    Please see our Fabric Selection page for current brocade color and pattern options. Please don’t hesitate to email  call or text us (708) 502-1937) with any questions about stock or availability.

    Lace Options:

    Shown: Black and Natural laces with metal tips

    Natural comes in both silver and brass

    Shown: Colored Lacing Points

    Colored laces come with silver metal tips only.

    Forasmuch that the excessive vanity and wickedness of young men has grown to a very great height, so that many foul customs of dress are now found throughout every land. One thing in particular is the shameful practice of wearing the [doublet] cut of such brevity so that not only is boasted the turn and fullness of the calf, but that the port-piece and very curve of the buttock might thereby be revealed.

    -From a 1423 French ecclesiastical condemnation of men’s fashions.

    In the 1340s, the short, tight cotehardie had rocked the sensibilities of Churchman, who were aghast at men showing off their legs. But their admonitions proved little more effective than a 1990s father’s horror at his daughter’s low-rise jeans, and in much the same manner, the more they flustered, the more they were ignored! By the early 15th century, the cotehardie had become so short that the old style of chausses and braies had to be replaced with new joined hose that pointed directly to the cotte. This was the birth of the doublet, the dramatic, and final reinvention of men’s fashions in the Middle Ages that would give rise to the fashions of the Renaissance.

    Besides its close fit, the doublet retained many elements of its predecessor, particularly the tight, buttoned forearms, and its suitability for production in both simple and sumptuous fabrics. Besides its short length, however, one of the doublet’s distinctive trademarks in this period were full upper arms, raised or “puffed” shoulders, and simple tie closures down the front. We have chosen to replicate all of these elements in our doublet, which based on a mid-century style that developed in the wealthy and fashion-conscious cities of Italy, spread into Austria and southern Germany and from there became popular throughout central and western Europe. We have these style elements are extremely flattering to most figures – with a smooth, tailored silhouette and broad shoulders. Like the originals, our doublet is of a cut that was popular with the nobility and the wealthy mercantile classes, and is produced in both rich brocades and all-natural wools in variety of colors. The pointing holes on the short skirt, or peplum, are designed to perfectly match those of our joined hose. Perhaps more than at any other point in the Middle Ages, clothing in this period was about dramatically standing out from the crowd. To help you do just that, we recommend you add our woolen hood worn as a chaperone to complete the look of the dashing courtier or man of means.

    Detail from the fresco by Domenico di Bartolo and Lorenzo di Pietro in the Hospital of Santa Maria della Scala in Sienna, Italy circa 1440

    Detail from a Lassone panel painted in Florence and currently in the collection of the Earl of Crawford in London, England, circa 1448

    Detail from a portrait by Pisanello in the Uffizi in Florence, Italy circa 1445-50

    Detail from fresco by Masalino da Panicale in San Clemente in the chapel of Cadinal Banda in the Castiglione, Rome Italy circa 1431

    Detail from the fresco by Domenico di Bartolo and Lorenzo di Pietro in the Hospital of Santa Maria della Scala in Sienna, Italy circa 1444

    Drawing after a Book of Hours by Jean Fouquet in the Musee Conde, Chantilly, France circa 15th century

    Drawing after detail of a fresco by Gregorio Franceschino in the Tomb Chapel in the Cathedral of San Giovanni Batista in Monza, Italy circa the first half of the 15th century

    Left: This Gentleman is garbed in a red brocade Doublet, black Joined Hose, and red Leather Garters. Beneath his outerwear are his Collared Shirt, and Braies.

    Right: This lady wears a red brocade Houppelande that also matches her Henin. She wears her white linen Underdress beneath. Her Silk Veil is cut in an oval shape to flutter around her shoulders. She tucks her exposed sleeves into tan leather Gloves.

    This Fighter stands out like the sun in a golden brocade Doublet. He wears black Joined Hose, Gloves, and Shoes as a stark contrast, along with a black Medieval Belt. Beneath his doublet and hose are his Shirt and Braies. He keeps his head warm and fashionable with a beige Chaperone decorated with a large Badge.

    This Fighter takes a humble kneel in his red brocade Doublet. He wears his Shirt and Braies beneath. His Joined Hose, Garters, Belt, and Shoes are all color coordinated in black, along with his Gloves. He finished his look with a beige Chaperone Hood decorated with a large Badge.

    Left: This Gentleman is garbed in a red/gold brocade Doublet, black Joined Hose, blue Leather Garters and tan Tall Riding Boots. Beneath his outerwear are his 15th Century Collared Shirt, and Braies. He decorates his outfit with a royal blue wool Chaperone and Belt.

    Right: This lady wears a red/gold brocade Houppelande. She wears her gold linen Kirtle beneath. Her Silk Veil is pinned to a Barbette for security with Veil Pins.

    This Gentleman is garbed in a red/gold brocade Doublet, black Joined Hose, blue Leather Garters and tan Tall Riding Boots. Beneath his outerwear are his 15th Century Collared Shirt, and Braies. He decorates his outfit with a brown wool Short Tailed Hood and blue leather Belt.

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    10-11th c. Linen Viking Coat https://revivalclothing.com/product/linen-viking-coat/ https://revivalclothing.com/product/linen-viking-coat/#comments Fri, 21 Dec 2018 00:14:12 +0000 https://revivalclothing.com/?post_type=product&p=32269
    • Based on period sources, using authentic lines (see Historical Inspirations below)
    • Affordable price makes it ideal for a new reenactor dressing up an existing wardrobe
    • Also available in Wool
    • All interior seams enclosed or finished
    • Available in a wide variety of colors
    • No visible machine stitching
    • Comes in two sizes to accommodate most body types
    • This style is made to order so please allow 4-6 weeks for delivery
    • Please don’t hesitate to email  call or text us (708) 680-6162) with any questions about stock or availability.’
  • The post 10-11th c. Linen Viking Coat appeared first on Revival Clothing Company.

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    Size Chart

    Note: Sizing on our Viking Coat is judged by chest size because it flares out and is meant to fit loosely in the waist and worn with a belt to complete the shape and look (as shown in our photos). The length is measured from the shoulders to the hem.

    Size

    Max. Chest Measurement

    Small/Medium

    44″ / 112 cm

    Large/Xlarge

    58″ / 147 cm

    Linen Colors:

    White, Black, Red, Royal Blue, Burgundy, Purple

    Slate Blue, Sage, Dark Green, Oatmeal, Dark Brown, Gold

    Viking Clothing consists of many layers the top layer often being a woolen coat.  Wool Coats or Kaftans were worn by both men and women.  Viking royalty or wealthy nobles might have their coats lined in silk or decorated with embroidery down the front and on the cuffs.  We have based our Viking Coat on a number of sources from early saxon graves to surviving fragments from Birka and Hedeby and engravings on items such as the Sutton Hoo helmet. A Viking Coat or Kaftan was common throughout Scandinavia, anglo-saxon settlements all the way to the eastern Rus areas.  The Revival Viking Coat fits loose through the chest then flares out widely with side and back gores to create a full bottom hem at knee length. The Viking Coat features a contrasting front facing and sleeve cuffs.  The front of the Viking Coat overlaps Kaftan style at the waist when worn belted.  The front can be worn open, belted or closed with a brooch.

    We have based our Viking Age tunic on a number of 11th century sources, showing the growing influence of southern European dress. Examples include the shirts pictured in Anglo-Saxon Tiberius Calendar, the Bayeux Tapestry, that worn by Cnut in the Liber Vitae and Thorkell in the Eadui Psalter The Revival Viking Tunic is cut straight through torso with many gores to create a full skirted bottom hem. The neck hole is a distinctive, square shape with a front center-slit, while the sleeves are cut straight for a more fitted line around the wrist and forearm.

    About our Viking Age / Early Medieval Line

    “AD. 793. This year came dreadful fore-warnings over the land of the Northumbrians, terrifying the people most woefully: these were immense sheets of light rushing through the air, and whirlwinds, and fiery dragons flying across the firmament. These tremendous tokens were soon followed by a great famine: and not long after, on the sixth day before the ides of January in the same year, the harrowing inroads of heathen men made lamentable havoc in the church of God in Holy-island (Lindisfarne), by rapine and slaughter.” – The Anglo Saxon Chronicle

    In the late 8th century, Scandinavian sea-pirates sacked the island monastery of Lindisfarne, heralding in the so-called Viking Age, a term applied to the eighth through eleventh centuries, in which Norsemen traders and raiders, explored Europe, and settled in Normandy, Iceland, Greenland, Newfoundland, and Vinland. To the east, they set themselves up as the rulers of Russian Kiev, pressed into Anatolia and took service as the famed Varangian Guard of the Byzantine Emperors.

    Our new Viking Age product line will be continuously growing with representations of the fashions of the Norse, Anglo-Saxons and Normans civilizations of this period. Regardless of which of these cultures one portrays, there are a number of common truths for Northern European fashion in this period. Linen was the most fabric for clothing, followed by a variety of different weight wools used for overtunics, cloaks and overdresses. Silk, as an extremely rare, luxury fabric, was only used for small trim or accents.

    The period leading to the Viking Age was a conservative one, with localized cultures and limited trade. Consequently, many similarities of cut and fit exist between late Roman era Germanic dress and Viking era, Scandinavian clothes, until very late in the period.

    Read more about Viking culture in our From the Pen of History article: The Gift of a Shirt

    We have based our Viking Coat on a number of sources from early saxon graves to surviving fragments from Birka and Hedeby and engravings on items such as the Sutton Hoo helmet.

    This strapping tall Viking loves to mix and match his colors. Here he poses in a black Linen Viking Tunic, brown Viking Pants, green and white tweed Wool Legwraps, hunter green and royal blue Viking Coat, hunter green wool Viking Hat, green Simple Viking Belt, brown Viking boots ,and Viking brooch to close his coat.

    This Viking oat Kirtle, slate blue Linen Viking Apron Dress, black and burgundy Viking Coat, burgundy linen Women’s Viking Hood, brown Boots, and closes her coat with a  Viking style brooch. Beneath her outwear she keeps her linen Stockings up above her calfs with Wool Garters . Her beautiful Viking Beaded Chain peaks out from under her coat.

    [product_reviews]

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    10th c. Wool Viking Pants https://revivalclothing.com/product/wool-viking-pants/ https://revivalclothing.com/product/wool-viking-pants/#respond Thu, 20 Dec 2018 23:38:05 +0000 https://revivalclothing.com/?post_type=product&p=32112
    • Based on period sources, using authentic lines(see Historical Inspirations below)
    • Affordable price makes it ideal for a new reenactor dressing up an existing wardrobe
    • Also available in Linen
    • All interior seams enclosed or finished
    • Available in a diverse palette that includes jewel tones and muted colors
    • If you would like to order this in one of our patterned wools – use that selection in the drop down and specify which pattern(from the swatches below) in the notes of your order.
    • Comes in three sizes to accommodate most body types
    • Please note these are made to order and therefore are not eligible for exchange or return. Production time is at least 4-6 weeks
    • Please don’t hesitate to email  call or text us (708-502-1937) with any questions about stock or availability.
  • The post 10th c. Wool Viking Pants appeared first on Revival Clothing Company.

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    Size Chart

    Size

    Max Waist Size

    Inseam

    Calf Circumference

    Thigh Circumference

    Medium

    up to 44″ / 112 cm

    34″ / 87 cm

    15.5″ / 39 cm

    26″ / 66 cm

    Large

    44-56″ / 112-142 cm

    34″ / 87 cm

    16.5″ / 42 cm

    28″ / 71 cm

    XLarge

    48-62″ / 122-158 cm

    35″ / 89 cm

    18″ / 46 cm

    33″ / 84 cm

    Wool Colors:

    Red, Burgundy, Royal Blue, Hunter Green, Purple, Black

    Dark Brown, Camel, Patterned Wool (Please don’t hesitate to email, call or text us (708-502-1937) with any questions about available patterned wools)

    About our Mens Viking Pants

    An interesting point in the history of European fashion was the evolution from trousers, to individual leggings, or chausses, back to trousers again. In late Antiquity and the early Middle Ages, trousers were common throughout the Germanic and Norse world.In late Antiquity and the early Middle Ages, trousers were common throughout the Germanic and Norse world.
    Our linen trousers are based on finds from Thorsbjerg and Damendorf in late Roman Era Germania. Fitting loose in the waist and thigh, our trousers taper to a straight lower leg, which is cut from one piece of cloth that runs straight up to meet a separate gusset set in for the seat and crotch. The trousers are secured by a drawstring waistband.

    About our Viking Age / Early Medieval Line

    “AD. 793. This year came dreadful fore-warnings over the land of the Northumbrians, terrifying the people most woefully: these were immense sheets of light rushing through the air, and whirlwinds, and fiery dragons flying across the firmament. These tremendous tokens were soon followed by a great famine: and not long after, on the sixth day before the ides of January in the same year, the harrowing inroads of heathen men made lamentable havoc in the church of God in Holy-island (Lindisfarne), by rapine and slaughter.” – The Anglo Saxon Chronicle

    In the late 8th century, Scandinavian sea-pirates sacked the island monastery of Lindisfarne, heralding in the so-called Viking Age, a term applied to the eighth through eleventh centuries, in which Norsemen traders and raiders, explored Europe, and settled in Normandy, Iceland, Greenland, Newfoundland, and Vinland. To the east, they set themselves up as the rulers of Russian Kiev, pressed into Anatolia and took service as the famed Varangian Guard of the Byzantine Emperors.

    Our new Viking Age product line will be continuously growing with representations of the fashions of the Norse, Anglo-Saxons and Normans civilizations of this period. Regardless of which of these cultures one portrays, there are a number of common truths for Northern European fashion in this period. Linen was the most fabric for clothing, followed by a variety of different weight wools used for overtunics, cloaks and overdresses. Silk, as an extremely rare, luxury fabric, was only used for small trim or accents.

    The period leading to the Viking Age was a conservative one, with localized cultures and limited trade. Consequently, many similarities of cut and fit exist between late Roman era Germanic dress and Viking era, Scandinavian clothes, until very late in the period.

    Read more about Viking culture in our From the Pen of History article: The Gift of a Shirt

    Drawing after the bog find at Thorsberg Germany – deposits made 100-500 C. E.

    Drawing after the bog find at Thorsberg Germany – deposits made 100-500 C. E.

    This Viking strikes a pose with his weapon in his red wool Tunic and dark brown Pants. He wraps his legs with green wool Leg Wraps and tucks them into his Viking Boots. He cinches his waist with a tan Viking Belt

    Shown are red wool Viking Tunic, sage wool Viking Pants, dark brown wool Legs Wraps, and Viking Shoes

    This Viking opens his arms to stand in a dramatic pose with his weapon in his burgundy wool Tunic and sage green Pants. He wraps his legs with dark brown wool Leg Wraps and tucks them into his Viking Boots. He cinches his waist with a tan Viking Belt

    This Viking stands with his hands on his hips in his green wool  Viking Coat, wool Tunic, and burgundy Pants. He wraps his legs with brown wool Leg Wraps and tucks them into his Viking Boots. He cinches his waist with a tan Viking Belt

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    10th c. Wool Viking Tunic https://revivalclothing.com/product/wool-viking-tunic/ https://revivalclothing.com/product/wool-viking-tunic/#respond Thu, 20 Dec 2018 22:30:25 +0000 https://revivalclothing.com/?post_type=product&p=31955
    • Based on period sources, using authentic lines(see Historical Inspirations below)
    • Affordable price makes it ideal for a new reenactor dressing up an existing wardrobe
    • Also available made to order Linen
    • All interior seams enclosed or finished
    • Available in a diverse palette that includes jewel tones and muted colors
    • No visible machine stitching
    • Comes in four sizes to accommodate most body types
    • size XXL is available as a custom order +$40
    • If you would like to order this in one of our patterned wools  - use that selection in the drop down and specify which pattern(from the swatches below) in the notes of your order.
    • Please note these are made to order and therefore are not eligible for exchange or return. Production time is at least 4-6 weeks
    • Please don’t hesitate to email  call or text us(708-502-1937) with any questions about stock or availability.
  • The post 10th c. Wool Viking Tunic appeared first on Revival Clothing Company.

    ]]>

    Click below for more details

    Size Chart

     

    Size

    Max. Chest Measurement

    Max. Waist Measurement

    Medium

    44″ / 112 cm

    48″ / 122 cm

    Large

    50″ / 127 cm

    54″ / 137 cm

    XLarge

    56″ / 142 cm

    60″ / 152 cm

    XXL

    62″ / 157 cm

    64″ / 162 cm

       

    Size XXL is available as made-to-order only.

    Wool Colors:

    Red, Burgundy, Royal Blue, Hunter Green, Purple, Black

    Dark Brown, Camel, Patterned Wool (Please don’t hesitate to email, call or text us (708-502-1937) with any questions about available patterned wools)

    One of the most ubiquitous garments for new reenactors is the so-called T-tunic. But in reality, a proper, early Medieval tunic is a far more sophisticated garment, with full skirts and a tapered sleeve. At times, the distinction between shirt and tunic blurred, with the latter being most notable for being made of undyed linen. In cooler weather, tunics could also be layered for warmth, with a wool tunic, often covering a linen shirt and a linen tunic.

    We have based our Viking Age tunic on a number of 11th century sources, showing the growing influence of southern European dress. Examples include the shirts pictured in Anglo-Saxon Tiberius Calendar, the Bayeux Tapestry, that worn by Cnut in the Liber Vitae and Thorkell in the Eadui Psalter The Revival Viking Tunic is cut straight through torso with many gores to create a full skirted bottom hem. The neck hole is a distinctive, square shape with a front center-slit, while the sleeves are cut straight for a more fitted line around the wrist and forearm.

    About our Viking Age / Early Medieval Line

    “AD. 793. This year came dreadful fore-warnings over the land of the Northumbrians, terrifying the people most woefully: these were immense sheets of light rushing through the air, and whirlwinds, and fiery dragons flying across the firmament. These tremendous tokens were soon followed by a great famine: and not long after, on the sixth day before the ides of January in the same year, the harrowing inroads of heathen men made lamentable havoc in the church of God in Holy-island (Lindisfarne), by rapine and slaughter.” – The Anglo Saxon Chronicle

    In the late 8th century, Scandinavian sea-pirates sacked the island monastery of Lindisfarne, heralding in the so-called Viking Age, a term applied to the eighth through eleventh centuries, in which Norsemen traders and raiders, explored Europe, and settled in Normandy, Iceland, Greenland, Newfoundland, and Vinland. To the east, they set themselves up as the rulers of Russian Kiev, pressed into Anatolia and took service as the famed Varangian Guard of the Byzantine Emperors.

    Our new Viking Age product line will be continuously growing with representations of the fashions of the Norse, Anglo-Saxons and Normans civilizations of this period. Regardless of which of these cultures one portrays, there are a number of common truths for Northern European fashion in this period. Linen was the most fabric for clothing, followed by a variety of different weight wools used for overtunics, cloaks and overdresses. Silk, as an extremely rare, luxury fabric, was only used for small trim or accents.

    The period leading to the Viking Age was a conservative one, with localized cultures and limited trade. Consequently, many similarities of cut and fit exist between late Roman era Germanic dress and Viking era, Scandinavian clothes, until very late in the period.

    Read more about Viking culture in our From the Pen of History article: The Gift of a Shirt

    Drawing after the Eadui Psalter circa early 11th century in the British Museum Library in London, England

    Drawing after Anglo-Saxon Tiberius Calendar circa 1025-1050

    Drawing after the Eadui Psalter circa early 11th century in the British Museum Library in London, England

    Left: A viking woman in her wool oat Kirtle, royal blue Apron Dress . Beneath she wears her ChemiseStockings, and Viking Shoes. She covers her head with a wool Viking Hood.

    Right: This viking man wears his brown wool Tunic,  wool oat Pants, and blue woolen Leg Wraps. He tucks the ends into his Boots. He cinches his waist with a Belt.

    This Viking strikes a disarming pose in his red wool Tunic, brown Pants, and hunter green woolen Legwraps. He chooses brown for both his Shoes and Belt. For this viking, simplicity is perfection!

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