15th Century Archives - Revival Clothing Company https://revivalclothing.com/product-tag/15th-century/ Quality clothing and accessories for medieval re-enactors Thu, 04 Sep 2025 17:56:27 +0000 en-US hourly 1 https://wordpress.org/?v=6.8.3 https://revivalclothing.com/wp-content/uploads/2019/04/favicon.ico 15th Century Archives - Revival Clothing Company https://revivalclothing.com/product-tag/15th-century/ 32 32 CLEARANCE Womens 15th C. Linen Houppelande https://revivalclothing.com/product/clearance-womens-15th-c-linen-houppelande-copy/ https://revivalclothing.com/product/clearance-womens-15th-c-linen-houppelande-copy/#respond Thu, 22 Aug 2024 16:23:09 +0000 https://revivalclothing.com/?post_type=product&p=46962
    • CLEARANCE - save $30!
    • Limited availability, will not be restocked
    • ALL FINAL SALE
    • Full selection available on regular product pages in  Linen, Brocade and Wool
    • Based on contemporary medieval artwork(see Historical Inspirations below)
    • Made in Linen
    • Based on contemporary medieval artwork (see Historical Inspirations below)
    • Features a sumptuous double layered sleeve with contrast cuff
    • All interior seams finished
    • Contrast pieces are Cuff, Front Neck Facing, and Belt
    • Flattering and authentic fit with a neckline that can be worn 3 ways!
    • Two Sizes fits most and flatters any figure! Sizes 2/3 and 4/5
    • Please don’t hesitate to email  call or text us (708-502-1937) with any questions about stock or availability.
  • The post CLEARANCE Womens 15th C. Linen Houppelande appeared first on Revival Clothing Company.

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    Size Chart

    Size

    Max. Bust Measurement

    2/3

    up to 47″ / 119cm

    4/5

    up to 60″ / 152cm

     

    Note: In our women’s clothes we’ve abandoned ‘standard’, modern sizing because it is far from standard, and tends to cause more confusion than provide accurate information. So, please judge your size by your bust measurements. For this gown we’ve given only the maximum bust size range because this style gives an extremely flexible and flattering fit – it really does fit and look great on most sizes. This style flares dramatically from the bust line so waist and hips measurements are not an issue with fit. Although it is made of yards of fabric with generous sizing the beautiful drape of the brocade and the matching belt allows for a flattering fit in your size. The belt is meant to be pinned at the center back to fit you exactly and then use the end of the belt to create a loose ‘knightly knot’ to cover the pinned portion. Our Houppelande runs long so that you can wear it in the authentic fashion of the period – trailing along the ground or hem it to your desired length.

    Linen:

    White, Black, Red, Royal Blue, Burgundy, Purple

    Slate Blue, Sage, Dark Green, Oatmeal, Dark Brown, Gold

    Note: Please note, with the difficulty of accurately representing colors on a variety of monitors, the color names are meant as descriptions along with the swatches. Please use both when deciding on what color to order. Also, despite how the colors may appear on your monitor the same color names in Wool, Silk and Linen are different and do not exactly coordinate.

    Brocade:

    Please see our Fabric Selection page for current brocade and velvet brocade color and pattern options. Please don’t hesitate to email  call or text us(708-502-1937) with any questions about stock or availability

    “My Lady, please, you must cover your hair!

    Oh, Isabeau, you fussy old nursemaid, there is a veil attached to my hennin.

    Yes, and it covers nothing at all! Your hair streams forth like a river. It is shameful.

    Oh pish! Do you want me to look like a shriveled old frump? This is a tournament in honor of His Grace’s nameday. All the great of Burgundy will be there! It is shameful if I do not catch their eyes! Indeed, the entire Order of the Golden Fleece will be gathered, along with the many young knights and squires who hope to gain its notice through their feats of arms. But most importantly, and secretly, it is the eye of one young squire in particular that is of concern.

    Then at least pin shut your collar with a brooch. You wish to look a lady, not a strumpet!

    And this is the fashion of a lady; did not Franz say so when he returned from Milan? Would a strumpet of a belt with a silver buckle fastened beneath her bosom? Then again, fingering that silly Englishman’s carnelian pin, wouldn’t it be wise to let a certain Burgundian squire know he’d best not take things for granted? All right, Isabeau, I see your point. Perhaps a brooch would be more appropriate “

    As a society in transition, the 15th century was if nothing else, a dramatic era, and this is reflected in its fashions. In the waning decades of the 14th century, a new style evolved as a direct contrast to the sleek, fitted women’s cotehardie. This sumptuous gown was the houppelande, and in any ways represented the perfect marriage of three centuries of women’s fashion. In this one garment, the voluminous, angel-wing sleeves of the 12th century combined with the loose body of the 13th, and the deep necklines of the 14th.Combined with a high-collar, full-train, an Underdress, and a tall Hat, or Henin, the end result was a stunningly elegant gown that is associated with the fair damsel to this day.

    The houppelande continued to evolve throughout the 1400s, and we have chosen to reproduce a style that would have fashionable amongst courtiers and wealthy burghers throughout the second and third quarters of the 15th century. Based on primarily northern Italian and Burgundian sources, the two great fashion centers of the period, this style had a broad, international appeal, and can be found throughout England, France and the Holy Roman Empire. In honor of the garment’s inherent elegance and sumptuousness, we are introducing our houppelande in natural Brocade, and sumptuous Wool in a dazzling array of jewel tones. With its deep neckline, wearing the houppelande over our simple, white, linen Underdress protects milady’s modesty, and gives the ensemble its finished look. We specifically designed the neck to be worn in 3 different styles (as shown below) either with collar folded down and flared out to show off your underdress and collar bones, with the collar stood up to its for height for an elegant silhouette suited to court dress or modestly pinned closed at the neck for yet a third look.

    When we completed the prototypes for this gown we were amazed how women from waif to rubenesque could don the same garment and be instantly transformed into a lady of station and grace. When you try on yours, you’ll instantly see why this may be the most stunning gown we have ever produced!

    From a miniature of the Nine Heros in the Livre du chevalier errant by Thomas de Saluces in the Bibliotheque Nationale de France ms fr 12559 fol. 125 r/v, in Paris, France circa 1404

    Drawing after the fresco of the Feast of Herod by Filippo Lippo, Prato Cathedral, Tuscany, Italy circa 1452-60

    Drawing after wall painting by circle of Giacomo Jacuerio in the Great Hall of Castello di Manto in Piedmont, Italy circa 1411-16

    Drawing after detail of a fresco by Gregorio Franceschino in the Tomb Chapel in the Cathedral of San Giovanni Batista in Monza, Italy circa the first half of the 15th century

    Drawing after Autari and Teodolinda’s court, fresco by the Zavattari brothers in Monza Cathedral, Monza, Italy, circa 1444

    Drawing after Saint Peter Preaching, the Linaiuoli altarpiece by Fra Angelico, commissioned by the Arte dei Linaiuoli, the Guild of Linen Merchants for their meeting house in the Piazza Sant’ Andrea in Florence, Italy circa 1433

    This Lady of means flaunts her ability to add Split Sleeves to her Houppelande. There was NEVER too much fabric. She strikes a stunning pose in dark green and gold contrast Her sumptuous Houppelande. Her waist is cinched with a gold contrast belt. She preserves her modesty with a linen Veil as well as a custom headpiece. Beneath she hides away her Chemise, Stockings, and Shoes.

    Here our Lady has removed her headwear and posed in such a way to show off the split sleeves, contrast gold belt and her contrasting collar and cuffs. Note that the collar can be worn three different ways! Beneath she hides away her Chemise, Stockings, and Shoes

    The post CLEARANCE Womens 15th C. Linen Houppelande appeared first on Revival Clothing Company.

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    CLEARANCE Womens 15th C. Split-Sleeve Houppelande https://revivalclothing.com/product/clearance-15th-c-split-sleeve-houppelande/ https://revivalclothing.com/product/clearance-15th-c-split-sleeve-houppelande/#respond Tue, 29 Aug 2023 18:33:42 +0000 https://revivalclothing.com/?post_type=product&p=43003
    • CLEARANCE - save $45!
    • Limited availability, will not be restocked
    • ALL FINAL SALE
    • Full selection available on regular product pages in Linen or Brocade and Angel Wing Sleeve version in Linen, Brocade and Wool
    • Based on contemporary medieval artwork(see Historical Inspirations below)
    • Made in Linen
    • Based on contemporary medieval artwork (see Historical Inspirations below)
    • Features a sumptuous double layered sleeve with contrast cuff
    • All interior seams finished
    • Contrast pieces are Cuff, Front Neck Facing, and Belt
    • Flattering and authentic fit with a neckline that can be worn 3 ways!
    • Two Sizes fits most and flatters any figure! Sizes 2/3 and 4/5
    • Please don’t hesitate to email  call or text us (708-502-1937) with any questions about stock or availability.
  • The post CLEARANCE Womens 15th C. Split-Sleeve Houppelande appeared first on Revival Clothing Company.

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    Size Chart

    Size

    Max. Bust Measurement

    2/3

    up to 47″ / 119cm

    4/5

    up to 60″ / 152cm

     

    Note: In our women’s clothes we’ve abandoned ‘standard’, modern sizing because it is far from standard, and tends to cause more confusion than provide accurate information. So, please judge your size by your bust measurements. For this gown we’ve given only the maximum bust size range because this style gives an extremely flexible and flattering fit – it really does fit and look great on most sizes. This style flares dramatically from the bust line so waist and hips measurements are not an issue with fit. Although it is made of yards of fabric with generous sizing the beautiful drape of the brocade and the matching belt allows for a flattering fit in your size. The belt is meant to be pinned at the center back to fit you exactly and then use the end of the belt to create a loose ‘knightly knot’ to cover the pinned portion. Our Houppelande runs long so that you can wear it in the authentic fashion of the period – trailing along the ground or hem it to your desired length.

    Linen:

    White, Black, Red, Royal Blue, Burgundy, Purple

    Slate Blue, Sage, Dark Green, Oatmeal, Dark Brown, Gold

    Note: Please note, with the difficulty of accurately representing colors on a variety of monitors, the color names are meant as descriptions along with the swatches. Please use both when deciding on what color to order. Also, despite how the colors may appear on your monitor the same color names in Wool, Silk and Linen are different and do not exactly coordinate.

    Brocade:

    Please see our Fabric Selection page for current brocade and velvet brocade color and pattern options. Please don’t hesitate to email  call or text us(708-502-1937) with any questions about stock or availability

    “My Lady, please, you must cover your hair!

    Oh, Isabeau, you fussy old nursemaid, there is a veil attached to my hennin.

    Yes, and it covers nothing at all! Your hair streams forth like a river. It is shameful.

    Oh pish! Do you want me to look like a shriveled old frump? This is a tournament in honor of His Grace’s nameday. All the great of Burgundy will be there! It is shameful if I do not catch their eyes! Indeed, the entire Order of the Golden Fleece will be gathered, along with the many young knights and squires who hope to gain its notice through their feats of arms. But most importantly, and secretly, it is the eye of one young squire in particular that is of concern.

    Then at least pin shut your collar with a brooch. You wish to look a lady, not a strumpet!

    And this is the fashion of a lady; did not Franz say so when he returned from Milan? Would a strumpet of a belt with a silver buckle fastened beneath her bosom? Then again, fingering that silly Englishman’s carnelian pin, wouldn’t it be wise to let a certain Burgundian squire know he’d best not take things for granted? All right, Isabeau, I see your point. Perhaps a brooch would be more appropriate “

    As a society in transition, the 15th century was if nothing else, a dramatic era, and this is reflected in its fashions. In the waning decades of the 14th century, a new style evolved as a direct contrast to the sleek, fitted women’s cotehardie. This sumptuous gown was the houppelande, and in any ways represented the perfect marriage of three centuries of women’s fashion. In this one garment, the voluminous, angel-wing sleeves of the 12th century combined with the loose body of the 13th, and the deep necklines of the 14th.Combined with a high-collar, full-train, an Underdress, and a tall Hat, or Henin, the end result was a stunningly elegant gown that is associated with the fair damsel to this day.

    The houppelande continued to evolve throughout the 1400s, and we have chosen to reproduce a style that would have fashionable amongst courtiers and wealthy burghers throughout the second and third quarters of the 15th century. Based on primarily northern Italian and Burgundian sources, the two great fashion centers of the period, this style had a broad, international appeal, and can be found throughout England, France and the Holy Roman Empire. In honor of the garment’s inherent elegance and sumptuousness, we are introducing our houppelande in natural Brocade, and sumptuous Wool in a dazzling array of jewel tones. With its deep neckline, wearing the houppelande over our simple, white, linen Underdress protects milady’s modesty, and gives the ensemble its finished look. We specifically designed the neck to be worn in 3 different styles (as shown below) either with collar folded down and flared out to show off your underdress and collar bones, with the collar stood up to its for height for an elegant silhouette suited to court dress or modestly pinned closed at the neck for yet a third look.

    When we completed the prototypes for this gown we were amazed how women from waif to rubenesque could don the same garment and be instantly transformed into a lady of station and grace. When you try on yours, you’ll instantly see why this may be the most stunning gown we have ever produced!

    From a miniature of the Nine Heros in the Livre du chevalier errant by Thomas de Saluces in the Bibliotheque Nationale de France ms fr 12559 fol. 125 r/v, in Paris, France circa 1404

    Drawing after the fresco of the Feast of Herod by Filippo Lippo, Prato Cathedral, Tuscany, Italy circa 1452-60

    Drawing after wall painting by circle of Giacomo Jacuerio in the Great Hall of Castello di Manto in Piedmont, Italy circa 1411-16

    Drawing after detail of a fresco by Gregorio Franceschino in the Tomb Chapel in the Cathedral of San Giovanni Batista in Monza, Italy circa the first half of the 15th century

    Drawing after Autari and Teodolinda’s court, fresco by the Zavattari brothers in Monza Cathedral, Monza, Italy, circa 1444

    Drawing after Saint Peter Preaching, the Linaiuoli altarpiece by Fra Angelico, commissioned by the Arte dei Linaiuoli, the Guild of Linen Merchants for their meeting house in the Piazza Sant’ Andrea in Florence, Italy circa 1433

    This Lady of means flaunts her ability to add Split Sleeves to her Houppelande. There was NEVER too much fabric. She strikes a stunning pose in dark green and gold contrast Her sumptuous Houppelande. Her waist is cinched with a gold contrast belt. She preserves her modesty with a linen Veil as well as a custom headpiece. Beneath she hides away her Chemise, Stockings, and Shoes.

    Here our Lady has removed her headwear and posed in such a way to show off the split sleeves, contrast gold belt and her contrasting collar and cuffs. Note that the collar can be worn three different ways! Beneath she hides away her Chemise, Stockings, and Shoes

    The post CLEARANCE Womens 15th C. Split-Sleeve Houppelande appeared first on Revival Clothing Company.

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    CLEARANCE 15th c. Men’s Brocade Houppelande https://revivalclothing.com/product/clearance-15th-c-mens-brocade-houppelande/ https://revivalclothing.com/product/clearance-15th-c-mens-brocade-houppelande/#respond Tue, 29 Aug 2023 17:58:12 +0000 https://revivalclothing.com/?post_type=product&p=42984
    • CLEARANCE - save $30!
    • Limited availability, will not be restocked
    • ALL FINAL SALE
    • Full selection available on regular product pages in Brocade,  Linen and Wool
    • Based on contemporary medieval artwork(see Historical Inspirations below)
    • Made in Brocade and Velvet Brocade
    • No visible machine stitching
    • All interior seams finished
    • One size fits most
    • Please don’t hesitate to email  call or text us (708) 502-1937) with any questions
  • The post CLEARANCE 15th c. Men’s Brocade Houppelande appeared first on Revival Clothing Company.

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    Size Chart

    Size

    Max. Chest Measurement

    One Size

    up to 58″ / 147cm

     

    Note: Sizing on our Mens Houpplelande is judged by chest size because it is meant to fit loosely in the waist and to be worn with a belt to complete the shape and look (as shown in our photos)

    Brocade Colors:

    Please see our Fabric Selection page for current brocade color and pattern options. Please don’t hesitate to email  call or text us(708) 502-1937) with any questions about stock or availability.

     In the waning decades of the 14th century, a new style of mens and womens fashion evolved as a direct contrast to the sleek, fitted cotehardie. This sumptuous gown is called the houppelande, and while in any ways a return to the long, elegant surcoat, dalmatic or gown, it combined the voluminous, angel-wing sleeves of the 12th century, previously seen only in womens fashions, combined with the close-fitting, high collar of the late-14th century cotte. The flowing body of the houppelande was pleated and gathered in at the waist and cinctured with a narrow belt.

    The houppelande continued to evolve throughout the 1400s, and developed a rather unique and exaggerated silhouette by the 1470s. We have chosen to reproduce an earlier style of garment that reflects an earlier, more natural style fashionable amongst nobles, courtiers and wealthy burghers at the start of the 15th century. Based on the beautiful examples in the Tres Riche Houres of the Duc de Berry, this style had a broad, international appeal, and can be found throughout England, France, northern Italy and the Holy Roman Empire.

    The 14th century saw a cooling of the Earths climate, and this is reflected in the fashions that developed over the next two-hundred years. Houppelandes were often made of sumptuous fabrics such as felted wool and silk velvet, lined and edged in contrasting colors. It was usually worn over a cotehardie. Our first example is and is made of rich linen with a contrasting collar. Kept unlined for the hot summer months, the sleeves are trimmed in the same contrasting colors. A perfect garment to personalize by embroidering or block printing for that perfect, Duc de Berry look!

    Read more about the 15th century in our Pen of History article here!

    Drawing after Andria Master, Christ bring news cat.7907, fol.23 in bibliotheque nationale de france circa 1407

    Drawing after Hayton presents his Book to Jean sans Peur, Orosius Master; ms fr. 2810, fol. 226V in bibliotheque nationale de france circa 1413

    Drawing after The Devonshire Hunting Tapestries circa 1425-1450 in The Victoria and Albert Museum, London, England

    This Lord dons a black and silver Brocade Houppelande. He accents with a red Italinate Hat for a splash of color. His brown Tall Boots match his Decorated Belt. To complete his look he places his valuables in his custom brocade tasseled Pouch. Beneath he wears his Collared Shirt , Cotehardie and Simple Hose

    This Lord has opted for a striking burgundy and gold velvet Brocade Houupelande to catch the rays of sunshine. Beneath he wears his brocade Cotehardie, 15th Century Collared shirt, and gold Joined Hose.  He matches his Ankle Boots to his black Turret Hat. His black Gloves keep his hands warm and protected.

    [product_reviews]

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    Linen Meyer Pants https://revivalclothing.com/product/linen-meyer-pants/ https://revivalclothing.com/product/linen-meyer-pants/#respond Wed, 10 Aug 2022 17:57:54 +0000 https://revivalclothing.com/?post_type=product&p=42065
    • Designed by re-enactors, HEMA practitioners, and researchers based on historical patterns
    • Made of 100% Lightweight and Heavyweight Linen
    • Laced waistband and cuffs for a custom fit
    • Added crotch gusset for mobility
    • Available in a medieval palette of natural and jewel tones
    • For coordinating Linen Doublet pictured, see our 15th c.- 16thc. Short Doublet
    • For heavy cotton HEMA version see our sister line at Hemawear.com
    • Available in M, L, XL
    • Refer to our size chart below when choosing your size
    • Please note these are made to order and therefore are not eligible for exchange or return. Production time is at least 4-6 weeks.
    • Please don’t hesitate to email, call or text us (708-502-1937) with any questions.
  • The post Linen Meyer Pants appeared first on Revival Clothing Company.

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    Size Chart

    Size

    Waist Measurement

    Hip Measurement

     
        

    Medium

    32″-36″ / 86 cm

    40″ / 104 cm

     

    Large

    36″-40″ / 96 cm

    43″ / 109 cm

     

    XLarge

    40-44″ / 106 cm

    46″ / 116 cm

     

    Heavyweight Linen Colors:

    White, Black, Red, Royal Blue, Gold, Dark Green

    Note: Please note, only some colors are available in the heavier weight linen we use in making this product. Also, with the difficulty of accurately representing colors on a variety of monitors, the color names are meant as descriptions along with the swatches. Please use both when deciding on what color to order. Also, despite how the colors may appear on your monitor the same color names in Wool, Silk and Linen are different and do not exactly coordinate.

    Lightweight Linen Colors:

    White, Black, Red, Royal Blue, Burgundy, Purple

    Slate Blue, Sage Green, Dark Green, Oatmeal, Brown, Gold

    Note: Please note, only some colors are available in the heavier weight linen we use in making this product. Also, with the difficulty of accurately representing colors on a variety of monitors, the color names are meant as descriptions along with the swatches. Please use both when deciding on what color to order. Also, despite how the colors may appear on your monitor the same color names in Wool, Silk and Linen are different and do not exactly coordinate.

    Lace Options:

    Natural, Black

    The interest in Medieval and Renaissance HEMA(Historical European Martial Arts) has grown dramatically over the last couple of decades. Dozens of manuscripts and printed books survive from the period 1300-1600, detailing the historical use of a wide variety of weapons, wielded in and out of armour, on foot and on horseback.

    Inspired by the work of Joachim Meyer(ca. 1537 – 1571) and designed to compliment our Unpadded HEMA jacket, Padded HEMA jacket and Renaissance Fencing Doublet, our Meyer Fencing Pants are constructed for ease of movement and distinct historical style to represent you while fencing and training. Our design includes double stitched seams for strength on the under layer, a crotch gusset to allow more extreme motions, like the lunge and laced closure at the waist and cuff for a custom fit. Available in jewel tones and custom colors. Please note, custom orders are not eligible for return or exchange. For a simpler, sleeker version see our Fencing Knickers and 3/4 Athletic Pants. We also have over-the-knee socks in rainbow of colors to wear with these!

    This fighter prepares for a sparring match dressed in his finest garbs. he wears a well fitted black Renaissance Wrestling Jacket, paired with a sharp pair of  Meyer Fencing Pants made with a custom gold contrast color. he finishes the look with a pair of black Tall Athletic Socks.

    A fighter stands victorious, having removed her fencing doublet to reveal a simple black undershirt tucked into the waistband of her dark green Meyer Pants. She finishes her look with a pair of black Tall Athletic Socks.

    A confident fencer shows off his smart, all blue ensemble. He wears a tight fitting Fencing Doublet which contrast nicely with his flowing and loose Meyer Pants. he finishes his look with black Tall Athletic Socks.

    The fighter on the left pairs a red Renaissance Wrestling Jacket with black 3/4 Length Athletic Pants. She finishes the look with a pair of black Tall Athletic Socks.

    The fighter on the right he wears a well fitted black Renaissance Wrestling Jacket, paired with a sharp pair of  Meyer Fencing Pants made with a custom gold contrast color. he also finishes his look with a pair of black Tall Athletic Socks.

    [product_reviews]

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    15th c.- 16th c. Short Doublet – Linen, Wool or Brocade https://revivalclothing.com/product/late-15th-c-short-linen-doublet/ https://revivalclothing.com/product/late-15th-c-short-linen-doublet/#respond Wed, 10 Aug 2022 16:42:56 +0000 https://revivalclothing.com/?post_type=product&p=42059
    • Based on contemporary artwork(see Historical Inspirations below)
    • Flattering and authentic fit with a lightly padded front piece for a crisp silhouette
    • Made in Linen, lined in cotton(for sturdiness to help keep shape)
    • Can also be made in wool or brocade - see fabric page for color options and add color choice in notes of order
    • For wool or brocade option we encourage you to contact us for current options in stock
    • For coordinating pieces see our Wool or Cotton Joined Hose or our linen Meyer Pants(pluderhosen shown in photos)
    • Alternatively, see our longer, earlier 15th c. doublet in Linen, Wool or Brocade
    • No visible machine stitching except eyelets
    • Comes in three sizes to accommodate most body types
    • Points available in standard natural with plastic tips or colors with metal tips
    • Please note these are made to order and therefore are not eligible for exchange or return. Production time is usually about 4 weeks.
    • Please don’t hesitate to email  call or text us (708) 502-1937 with any questions about options or availability.
  • The post 15th c.- 16th c. Short Doublet – Linen, Wool or Brocade appeared first on Revival Clothing Company.

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    Size Chart

    Note: our Late 15th c. Short Doublet is somewhat fitted so use both chest and waist measurements to determine your size.

    Size

    Max. Chest Measurement

    Max. Waist Measurement

    Medium

    fits up to 42″ / 106 cm

    38″ / 96 cm

    Large

    fits up to 48″ / 121 cm

    45″ / 114 cm

    XLarge

    fits up to 52″ / 132 cm

    48″ / 121 cm

    White, Black, Red, Royal Blue, Burgundy, Purple

    Slate Blue, Sage, Dark Green, Oatmeal, Dark Brown, Gold

    Note: Please note, with the difficulty of accurately representing colors on a variety of monitors, the color names are meant as descriptions along with the swatches. Please use both when deciding on what color to order. Also, despite how the colors may appear on your monitor the same color names in Wool, Silk and Linen are different and do not exactly coordinate.

    Lace Options:

    Shown: Black and Natural laces with metal tips

    Natural comes in both silver and brass

    Shown: Colored Lacing Points

    Colored laces come with silver metal tips only.

    For as much that the excessive vanity and wickedness of young men has grown to a very great height, so that many foul customs of dress are now found throughout every land. One thing in particular is the shameful practice of wearing the [doublet] cut of such brevity so that not only is boasted the turn and fullness of the calf, but that the port-piece and very curve of the buttock might thereby be revealed.

    From a 1423 French ecclesiastical condemnation of men’s fashions.

    In the late 14th century, the shorter, well fitted cotehardie had rocked the sensibilities of Churchman, who were aghast at men showing off their legs. But their admonitions proved little more effective than a 1990s father’s horror at his daughter’s low-rise jeans, and in much the same manner, the more they flustered, the more they were ignored! By the early 15th century, the cotehardie had become so short that the old style of chauses and braies had to be replaced with new joined hose that pointed directly to the cotte. This was the birth of the doublet, the dramatic, and final reinvention of men’s fashions in the Middle Ages that would give rise to the fashions of the Renaissance. In the late 15th century and well into the 16th century the doublet evolved and itself got shorter. It can be seen to the worn with joined hose and later, trunk hose as well as the distinctly elaborate pluderhosen(as shown in our photos).

    Besides its close fit, the doublet retained many elements of its predecessor, particularly the tight, laced or buttoned forearms, and its suitability for production in both simple and sumptuous fabrics. Besides its short length, however, one of the doublet’s distinctive trademarks in this period were full upper arms, raised or “puffed” shoulders, and simple tie closures down the front. We have chosen to replicate all of these elements in our doublet, which based on a late 15th century style that developed in the wealthy and fashion-conscious cities of Italy, spread into Austria and southern Germany and from there became popular throughout central and western Europe. We have these style elements are extremely flattering to most figures – with a smooth, tailored silhouette and broad shoulders.

    Like the originals, our doublet is of a cut that was popular with the nobility and the wealthy mercantile classes. The shortness of the doublet meant to perfectly showcase our Meyer Pants(pluderhosen). Perhaps more than at any other point in the Middle Ages, clothing in this period was about dramatically standing out from the crowd. To help you do just that, we recommend you add our woolen hood worn as a chaperone to complete the look of the dashing courtier or man of means.

    Detail from the fresco by Domenico di Bartolo and Lorenzo di Pietro in the Hospital of Santa Maria della Scala in Sienna, Italy circa 1440

    Detail from a Lassone panel painted in Florence and currently in the collection of the Earl of Crawford in London, England, circa 1448

    Detail from a portrait by Pisanello in the Uffizi in Florence, Italy circa 1445-50

    Detail from fresco by Masalino da Panicale in San Clemente in the chapel of Cadinal Banda in the Castiglione, Rome Italy circa 1431

    Detail from the fresco by Domenico di Bartolo and Lorenzo di Pietro in the Hospital of Santa Maria della Scala in Sienna, Italy circa 1444

    Drawing after a Book of Hours by Jean Fouquet in the Musee Conde, Chantilly, France circa 15th century

    Drawing after detail of a fresco by Gregorio Franceschino in the Tomb Chapel in the Cathedral of San Giovanni Batista in Monza, Italy circa the first half of the 15th century

    This dashing Noble cuts a sleek with his red  Joined Hose and black linen Doublet. they are supported from underneath by his Shirt and Braies.  To show of the curve of his leg, he wraps a pair of black wool Garters at his knee. He matches his Doublet to his black Turnshoes.

    This Noble as opted for a splash of color. His sunshine gold Doublet is pair with green Joined Hose and tied at the knee with ribbon Garters. As with any respectable gentleman,  his Shirt and Braies are tucked beneath out of sight. He decorates his waist with a brown Belt and finishes his look with Turn Boots and an Acorn Hat.

    Bottom Left: Our 15th century Wool Doublet in Dark Green worn with our 15th century Shirt, Wool Joined Hose, Wool Hood, and Black Turnshoes.
    Center: He’s wearing our 15th century Brocade Doublet worn with our 15th century Shirt, Wool Joined Hose, and Golden Brown Turnshoes.
    She’s wearing our 15th century Brocade Houppelande in Burgundy with white Linen Underdress and Silk Organza Veil.
    Top Right: Our 15th century Linen Doublet in Black worn with our 15th century Shirt, Cotton Joined Hose in Burgundy, Ribbon Garters and Turnshoes.

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    15th c. Collared Shirt https://revivalclothing.com/product/15thc-collared-shirt/ https://revivalclothing.com/product/15thc-collared-shirt/#respond Fri, 21 Dec 2018 01:34:47 +0000 https://revivalclothing.com/?post_type=product&p=32385
    • Based on contemporary medieval artwork (see Historical Inspirations below)
    • Made in 100% lightweight Linen in a more fitted cut to work with our Doublet and Hose
    • Stand up collar designed to just show above Doublet collar (as shown in countless period illustrations)
    • No visible machine stitching
    • All interior seams finished
    • Please don’t hesitate to email  call or text us (708-502-1937) with any questions about stock or availability.
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    Size Chart

    Note: Our 15th century shirt is not meant to fit closely in the chest. The chest measurements given are that of the shirt itself so you should choose a size that is somewhat bigger than your actual chest measurement. Typically, we recommend the shirt be 2-4″ bigger than your chest measurement for a comfortable fit.

    Size

    Max. Chest Measurement

    Medium

    40″ / 102 cm

    Large

    48″ / 127cm

    X-Large

    56″ / 142 cm

    Only available in White Linen.

     The Shift to joined hose not only affected braies, but also altered the shirt as well. Until this time, the shirt had been worn loose, just like the tunic, supertunic, cotte and cotehardie it had accompanied over the centuries. Shirts had already tapered and shrunk with the introduction of fitted garments in the later 1300s, but pointing the hose and doublet directly together required an even shorter under garment that could be worn inside the hose.

    We have based our shirt on several different artistic representations from the period 1410 – 1450, and have incorporated the key elements of a closer fit, small side-slits, longer sleeves that gather about the wrist and a stand up collar just the perfect height to show above the doublet collar (as shown in countless period illustrations). Made of a high quality linen that is lighter weight than our 14th c. men’s shirts, our 15th c. shirt is designed specifically for our 15th century line, this shirt provides comfort and mobility, without causing any unflattering bunching or bulges beneath the doublet or hose. When worn with the doublet, the stand-up collar provides a finished, layering look that is archetypal of the period. When working about camp or on hot, sticky days, you can wear the shirt without the doublet and be both comfortable, and still have a distinctly 15th century look.

    When worn under the tunic and/or supertunic of the period, this shirt would have all but disappeared from view, except perhaps at the collar. Fortunately, the shirt of this time well represented in surviving artwork. This version of our shirt is lighter weight, a bit shorter and more closely tailored than our 14th Century Shirt and has a simple collar. It’s made of 100% mid-weight 5.5 oz linen and is ideal for use as an under-layer for civilian and arming clothes. For a more generously cut, heavy weight version of the medieval shirt see our 14th Century Shirt.

    Drawing from fresco by Fra Filippo Lippi in the Choir chapel in the Catherdral of Santo Stefano, Prato, Italy circa 1452-65

    Drawing after fresco by Piero Della Francesca and Bicci di Lorenzo of the Legand of the Cross in the choir chapel in San Francesco, Arezzo, Italy circa 1447

    Drawing after detail in the fresco by Fra Angelico in the Chapel of Nicholas V in the Palazzo Vaticano, Vatican City, Italy circa 1448

    Drawing after fresco in the Hall of the Months in the Palazzo Schifancia in Ferrara, Italy circa 1466-1470

    Detail from the fresco by Domenico di Bartolo and Lorenzo di Pietro in the Hospital of Santa Maria della Scala in Sienna, Italy. circa 1444

    Drawing after fresco in the Hall of the Months in the Palazzo Schifancia in Ferrara, Italy circa 1466-1470

    This gentleman is spotted mid dressing only his Collared Shirt, Braies, and Joined Hose.

    This noble opts for a more comfortable option with his Simple Hose, and 15th C. Shirt. While he will eventually have more layers, for now, he only dons his Shoes!

    Our 15th century Wool Doublet in Dark Green worn with our 15th century Shirt

    This Nobleman pours himself a drink while in the midst of dressing. He currently has on his black Joined Hose, Collared Shirt, and Turnshoes.

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    15th c. Men’s Wool Houppelande https://revivalclothing.com/product/mens-wool-houppelande/ https://revivalclothing.com/product/mens-wool-houppelande/#respond Wed, 19 Dec 2018 05:24:44 +0000 http://revivalclothing.com/?post_type=product&p=31169
    • Based on contemporary medieval artwork(see Historical Inspirations below)
    • Also comes in Brocade and Linen versions
    • Available in a medieval palette of natural and jewel tones
    • All interior seams finished
    • One size fits most
    • Please note these are made to order and therefore are not eligible for exchange or return. Production time is at least 4-6 weeks
    • Please don’t hesitate to email  call or text us (708) 502-1937) with any questions about stock or availability.
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    Click below for more details

    Size Chart

    Size

    Max. Chest Measurement

    One Size

    up to 58″ / 147cm

     

    Note: Sizing on our Mens Houpplelande is judged by chest size because it is meant to fit loosely in the waist and to be worn with a belt to complete the shape and look (as shown in our photos)

    Wool Colors:

    Red, Burgundy, Royal Blue, Hunter Green, Purple, Black

    Dark Brown, Camel, Patterned Wool  (email , call or text us (708) 502-1937) with any questions about available patterned wools)

     

    In the waning decades of the 14th century, a new style of mens and womens fashion evolved as a direct contrast to the sleek, fitted cotehardie. This sumptuous gown is called the houppelande, and while in any ways a return to the long, elegant surcoat, dalmatic or gown, it combined the voluminous, angel-wing sleeves of the 12th century, previously seen only in womens fashions, combined with the close-fitting, high collar of the late-14th century cotte. The flowing body of the houppelande was pleated and gathered in at the waist and cinctured with a narrow belt.

    The houppelande continued to evolve throughout the 1400s, and developed a rather unique and exaggerated silhouette by the 1470s. We have chosen to reproduce an earlier style of garment that reflects an earlier, more natural style fashionable amongst nobles, courtiers and wealthy burghers at the start of the 15th century. Based on the beautiful examples in the Tres Riche Houres of the Duc de Berry, this style had a broad, international appeal, and can be found throughout England, France, northern Italy and the Holy Roman Empire.

    The 14th century saw a cooling of the Earths climate, and this is reflected in the fashions that developed over the next two-hundred years. Houppelandes were often made of sumptuous fabrics such as felted wool and silk velvet, lined and edged in contrasting colors. It was usually worn over a cotehardie. Our first example is and is made of rich linen with a contrasting collar. Kept unlined for the hot summer months, the sleeves are trimmed in the same contrasting colors. A perfect garment to personalize by embroidering or block printing for that perfect, Duc de Berry look!

    Read more about the 15th century in our Pen of History article here!

    Drawing after Andria Master, Christ bring news cat.7907, fol.23 in bibliotheque nationale de france circa 1407

    Drawing after Hayton presents his Book to Jean sans Peur, Orosius Master; ms fr. 2810, fol. 226V in bibliotheque nationale de france circa 1413

    Drawing after The Devonshire Hunting Tapestries circa 1425-1450 in The Victoria and Albert Museum, London, England

    This Lord dons a black wool Houppelande without contrast. He accents with a red Italinate Hat for a splash of color. His brown Tall Boots match his Decorated Belt. To complete his look he places his valuables in his custom brocade tasseled Pouch. Beneath he wears his Collared Shirt , Cotehardie and Simple Hose

    This Lord stands proud in his royal blue and gold Houppelande. He matches his Chaperone to his black Tall Boots. Beneath he wears his 15th century Collar Shirt and Simple Hose. He accents his waist with a Decorated Belt.

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    15th c. Men’s Linen Houppelande https://revivalclothing.com/product/mens-linen-houppelande/ https://revivalclothing.com/product/mens-linen-houppelande/#respond Wed, 19 Dec 2018 05:13:08 +0000 http://revivalclothing.com/?post_type=product&p=31143
    • Based on contemporary medieval artwork(see Historical Inspirations below)
    • Also comes in Brocade and Wool versions
    • Available in a medieval palette of natural and jewel tones
    • All interior seams finished
    • One size fits most
    • This style is made to order so please allow 4-6 weeks for delivery
    • Please don’t hesitate to email  call or text us (708) 502-1937) with any questions about stock or availability.
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    Click below for more details

    Size Chart

    Size

    Max. Chest Measurement

    One Size

    up to 58″ / 147cm

     

    Note: Sizing on our Mens Houpplelande is judged by chest size because it is meant to fit loosely in the waist and to be worn with a belt to complete the shape and look (as shown in our photos)

    Linen:

    White, Black, Red, Royal Blue, Burgundy, Purple

    Slate Blue, Sage, Dark Green, Oatmeal, Dark Brown, Gold

    Note: Please note, with the difficulty of accurately representing colors on a variety of monitors, the color names are meant as descriptions along with the swatches. Please use both when deciding on what color to order. Also, despite how the colors may appear on your monitor the same color names in Wool, Silk and Linen are different and do not exactly coordinate.

    In the waning decades of the 14th century, a new style of mens and womens fashion evolved as a direct contrast to the sleek, fitted cotehardie. This was sumptuous gown called the houppelande, and while in any ways a return to the long, elegant surcoat, dalmatic or gown, it combined the voluminous, angel-wing sleeves of the 12th century, previously seen only in womens fashions, combined with the close-fitting, high collar of the late-14th century cotte. The flowing body of the houppelande was pleated and gathered in at the waist and cinctured with a narrow belt.

    The houppelande continued to evolve throughout the 1400s, and developed a rather unique and exaggerated silhouette by the 1470s. We have chosen to reproduce an earlier style of garment that reflects an earlier, more natural style fashionable amongst nobles, courtiers and wealthy burghers at the start of the 15th century. Based on the beautiful examples in the Tres Riche Houres of the Duc de Berry, this style had a broad, international appeal, and can be found throughout England, France, northern Italy and the Holy Roman Empire.

    The 14th century saw a cooling of the Earth’s climate, and this is reflected in the fashions that developed over the next two-hundred years. Houppelandes were often made of sumptuous fabrics such as felted wool and silk velvet, lined and edged in contrasting colors. It was usually worn over a cotehardie. Our first example is and is made of rich linen with a contrasting collar. Kept unlined for the hot summer months, the sleeves are trimmed in the same contrasting colors. A perfect garment to personalize by embroidering or block printing for that perfect, Duc de Berry look!

    Read more about the 15th century in our Pen of History article here!

    Drawing after Andria Master, Christ bring news cat.7907, fol.23 in bibliotheque nationale de france circa 1407

    Drawing after Hayton presents his Book to Jean sans Peur, Orosius Master; ms fr. 2810, fol. 226V in bibliotheque nationale de france circa 1413

    Drawing after The Devonshire Hunting Tapestries circa 1425-1450 in The Victoria and Albert Museum, London, England

    This Lord stands radiant and proud in his burgundy and gold Houppelande. He matches his Chaperone to his black Tall Boots. Beneath he wears his 15th century Collar Shirt and Simple Hose. He accents his waist with a Decorated Belt.

    Left: This Lady stands regal and confident in her burgundy and gold Houppelande.  Beneath she wears a black linen Kirtle. Hidden from sight she wears a Chemise, Stockings, and Ankle Boots.

    Right: This Lord stands radiant and proud in his burgundy and gold Houppelande. He matches his Chaperone to his black Tall Boots. Beneath he wears his 15th century Collar Shirt and Simple Hose. He accents his waist with a Decorated Belt.

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    15th c. Men’s Brocade Houppelande https://revivalclothing.com/product/mens-brocade-houppelande/ https://revivalclothing.com/product/mens-brocade-houppelande/#respond Wed, 19 Dec 2018 04:56:21 +0000 http://revivalclothing.com/?post_type=product&p=31092
    • Based on contemporary medieval artwork(see Historical Inspirations below)
    • Made in Brocade and Velvet Brocade
    • Also comes in Linen and Wool versions
    • Comes in a dazzling array of jewel tones and neutrals in solid and a two tone contrasting floral pattern
    • No visible machine stitching
    • All interior seams finished
    • One size fits most
    • If you would like to order this in one of our velvet brocades – use that selection in the drop down and specify which pattern (from the swatches below) in the notes of your order.
    • This style is made to order so please allow 4-6 weeks for delivery
    • Please don’t hesitate to email  call or text us (708) 502-1937) with any questions about stock or availability.
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    Click below for more details

    Size Chart

    Size

    Max. Chest Measurement

    One Size

    up to 58″ / 147cm

     

    Note: Sizing on our Mens Houpplelande is judged by chest size because it is meant to fit loosely in the waist and to be worn with a belt to complete the shape and look (as shown in our photos)

    Brocade Colors:

    Please see our Fabric Selection page for current brocade color and pattern options. Please don’t hesitate to email  call or text us(708) 502-1937) with any questions about stock or availability.

     In the waning decades of the 14th century, a new style of mens and womens fashion evolved as a direct contrast to the sleek, fitted cotehardie. This sumptuous gown is called the houppelande, and while in any ways a return to the long, elegant surcoat, dalmatic or gown, it combined the voluminous, angel-wing sleeves of the 12th century, previously seen only in womens fashions, combined with the close-fitting, high collar of the late-14th century cotte. The flowing body of the houppelande was pleated and gathered in at the waist and cinctured with a narrow belt.

    The houppelande continued to evolve throughout the 1400s, and developed a rather unique and exaggerated silhouette by the 1470s. We have chosen to reproduce an earlier style of garment that reflects an earlier, more natural style fashionable amongst nobles, courtiers and wealthy burghers at the start of the 15th century. Based on the beautiful examples in the Tres Riche Houres of the Duc de Berry, this style had a broad, international appeal, and can be found throughout England, France, northern Italy and the Holy Roman Empire.

    The 14th century saw a cooling of the Earths climate, and this is reflected in the fashions that developed over the next two-hundred years. Houppelandes were often made of sumptuous fabrics such as felted wool and silk velvet, lined and edged in contrasting colors. It was usually worn over a cotehardie. Our first example is and is made of rich linen with a contrasting collar. Kept unlined for the hot summer months, the sleeves are trimmed in the same contrasting colors. A perfect garment to personalize by embroidering or block printing for that perfect, Duc de Berry look!

    Read more about the 15th century in our Pen of History article here!

    Drawing after Andria Master, Christ bring news cat.7907, fol.23 in bibliotheque nationale de france circa 1407

    Drawing after Hayton presents his Book to Jean sans Peur, Orosius Master; ms fr. 2810, fol. 226V in bibliotheque nationale de france circa 1413

    Drawing after The Devonshire Hunting Tapestries circa 1425-1450 in The Victoria and Albert Museum, London, England

    This Lord dons a black and silver Brocade Houppelande. He accents with a red Italinate Hat for a splash of color. His brown Tall Boots match his Decorated Belt. To complete his look he places his valuables in his custom brocade tasseled Pouch. Beneath he wears his Collared Shirt , Cotehardie and Simple Hose

    This Lord has opted for a striking burgundy and gold velvet Brocade Houupelande to catch the rays of sunshine. Beneath he wears his brocade Cotehardie, 15th Century Collared shirt, and gold Joined Hose.  He matches his Ankle Boots to his black Turret Hat. His black Gloves keep his hands warm and protected.

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    15th c. Linen Houppelande https://revivalclothing.com/product/womens-linen-houppelande/ https://revivalclothing.com/product/womens-linen-houppelande/#respond Wed, 19 Dec 2018 04:36:10 +0000 http://revivalclothing.com/?post_type=product&p=31027
    • Based on contemporary medieval artwork(see Historical Inspirations below)
    • Made in Linen
    • Also comes in Brocade and Wool versions
    • Or in a double layered Split-sleeve version with contrast cuff
    • Available in a medieval palette of natural and jewel tones
    • All interior seams finished
    • Comes with contrast belt that is pinned in place to fit you exactly
    • Flattering and authentic fit with a neckline that can be worn 3 ways!
    • Also see our Kirtle and Underdress for base layer gowns
    • Two Sizes fits most and flatters any figure! Sizes 2/3 and 4/5
    • Please don’t hesitate to email call or text us (708-502-1937) with any questions about stock or availability.
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    Click below for more details

    Size Chart

    Size

    Max. Bust Measurement

    2/3

    up to 47″ / 119cm

    4/5

    up to 60″ / 152cm

     

    Note: In our women’s clothes we’ve abandoned ‘standard’, modern sizing because it is far from standard, and tends to cause more confusion than provide accurate information. So, please judge your size by your bust measurements. For this gown we’ve given only the maximum bust size range because this style gives an extremely flexible and flattering fit – it really does fit and look great on most sizes. This style flares dramatically from the bust line so waist and hips measurements are not an issue with fit. Although it is made of yards of fabric with generous sizing the beautiful drape of the brocade and the matching belt allows for a flattering fit in your size. The belt is meant to be pinned at the center back to fit you exactly and then use the end of the belt to create a loose ‘knightly knot’ to cover the pinned portion. Our Houppelande runs long so that you can wear it in the authentic fashion of the period – trailing along the ground or hem it to your desired length.

    Linen:

    White, Black, Red, Royal Blue, Burgundy, Purple

    Slate Blue, Sage, Dark Green, Oatmeal, Dark Brown, Gold

    Note: Please note, with the difficulty of accurately representing colors on a variety of monitors, the color names are meant as descriptions along with the swatches. Please use both when deciding on what color to order. Also, despite how the colors may appear on your monitor the same color names in Wool, Silk and Linen are different and do not exactly coordinate.

    “My Lady, please, you must cover your hair!

    Oh, Isabeau, you fussy old nursemaid, there is a veil attached to my hennin.

    Yes, and it covers nothing at all! Your hair streams forth like a river. It is shameful.

    Oh pish! Do you want me to look like a shriveled old frump? This is a tournament in honor of His Grace’s nameday. All the great of Burgundy will be there! It is shameful if I do not catch their eyes! Indeed, the entire Order of the Golden Fleece will be gathered, along with the many young knights and squires who hope to gain its notice through their feats of arms. But most importantly, and secretly, it is the eye of one young squire in particular that is of concern.

    Then at least pin shut your collar with a brooch. You wish to look a lady, not a strumpet!

    And this is the fashion of a lady; did not Franz say so when he returned from Milan? Would a strumpet of a belt with a silver buckle fastened beneath her bosom? Then again, fingering that silly Englishman’s carnelian pin, wouldn’t it be wise to let a certain Burgundian squire know he’d best not take things for granted? All right, Isabeau, I see your point. Perhaps a brooch would be more appropriate “

    As a society in transition, the 15th century was if nothing else, a dramatic era, and this is reflected in its fashions. In the waning decades of the 14th century, a new style evolved as a direct contrast to the sleek, fitted women’s cotehardie. This sumptuous gown was the houppelande, and in any ways represented the perfect marriage of three centuries of women’s fashion. In this one garment, the voluminous, angel-wing sleeves of the 12th century combined with the loose body of the 13th, and the deep necklines of the 14th.Combined with a high-collar, full-train, an Underdress, and a tall Hat, or Henin, the end result was a stunningly elegant gown that is associated with the fair damsel to this day.

    The houppelande continued to evolve throughout the 1400s, and we have chosen to reproduce a style that would have fashionable amongst courtiers and wealthy burghers throughout the second and third quarters of the 15th century. Based on primarily northern Italian and Burgundian sources, the two great fashion centers of the period, this style had a broad, international appeal, and can be found throughout England, France and the Holy Roman Empire. In honor of the garment’s inherent elegance and sumptuousness, we are introducing our houppelande in natural Brocade, and sumptuous Wool in a dazzling array of jewel tones. With its deep neckline, wearing the houppelande over our simple, white, linen Underdress protects milady’s modesty, and gives the ensemble its finished look. We specifically designed the neck to be worn in 3 different styles (as shown below) either with collar folded down and flared out to show off your underdress and collar bones, with the collar stood up to its for height for an elegant silhouette suited to court dress or modestly pinned closed at the neck for yet a third look.

    When we completed the prototypes for this gown we were amazed how women from waif to rubenesque could don the same garment and be instantly transformed into a lady of station and grace. When you try on yours, you’ll instantly see why this may be the most stunning gown we have ever produced!

    From a miniature of the Nine Heros in the Livre du chevalier errant by Thomas de Saluces in the Bibliotheque Nationale de France ms fr 12559 fol. 125 r/v, in Paris, France circa 1404

    Drawing after wall painting by circle of Giacomo Jacuerio in the Great Hall of Castello di Manto in Piedmont, Italy circa 1411-16

    Drawing after wall painting by circle of Giacomo Jacuerio in the Great Hall of Castello di Manto in Piedmont, Italy circa 1411-16

    Drawing after detail of a fresco by Gregorio Franceschino in the Tomb Chapel in the Cathedral of San Giovanni Batista in Monza, Italy circa the first half of the 15th century

    Drawing after A Middle Class Wedding by Jacques Legrand, Livre de BonnesMoeurs, Paris Bnf, ms fr. 1023 fol. 60Vcirca 1410

    Drawing after wall painting by unknown painter in the Eagle’s Tower in the Castello del Buon Coniglio in Trent, Italy circa 1406

    This Noble Lady is dressed in a white and purple linen Houppelande. She matches her Kirtle beneath to her Turret Hat atop her head. Beneath her hat she dons a linen Veil. Unseen from the public eye is her linen Chemise, Stockings, and Shoes. She pins a Decorative Brooch to her belt.

    This stunning Lady exposes her hair leaving her Veil behind! She stands out in all her fiery glory with her red and gold linen Houppelande. Beneath she wears a black Kirtle. Her Stockings and Boots are hidden from view.

    Right: This Lord stands tall and protective of his scandalous lady in his linen red and gold linen Houppelande. Beneath he wears his linen Shirt and Braies, as well as his Simple Hose. He finishes his look with a black Decorative Belt and black Tall Boots.

    Left: This stunning Lady exposes her hair leaving her Veil behind! She stands out in all her fiery glory with her red and gold linen Houppelande. Beneath she wears a black Kirtle. Her Stockings and Boots are hidden from view.

    Right: This Noble as opted for a splash of color. His sunshine gold Doublet is pair with green Joined Hose and tied at the knee with ribbon Garters. As with any respectable gentleman,  his Shirt and Braies are tucked beneath out of sight. He decorates his waist with a brown Belt and finishes his look with Ankle Boots and an Acorn Hat.

    Left:  This Lady stands regal and confident in her copper brocade Houppelande.  Beneath she wears a linen Underdress. Hidden from sight she wears Stockings, and Ankle Boots. She crowns herself with a gold brocade Henin.

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