brocade Archives - Revival Clothing Company https://revivalclothing.com/product-tag/brocade/ Quality clothing and accessories for medieval re-enactors Thu, 04 Sep 2025 17:56:27 +0000 en-US hourly 1 https://wordpress.org/?v=6.8.3 https://revivalclothing.com/wp-content/uploads/2019/04/favicon.ico brocade Archives - Revival Clothing Company https://revivalclothing.com/product-tag/brocade/ 32 32 CLEARANCE – Women’s Medieval Henin https://revivalclothing.com/product/clearance-womens-medieval-henin/ https://revivalclothing.com/product/clearance-womens-medieval-henin/#respond Mon, 31 Mar 2025 19:35:38 +0000 https://revivalclothing.com/?post_type=product&p=48361
    • CLEARANCE - save $75!
    • Limited availability, will not be restocked
    • ALL FINAL SALE
    • Full selection available on regular product page
    • Based on contemporary medieval artwork(see Historical Inspirations below)
    • Made in Brocade OR Linen and lined in cotton
    • Hand made using buckram hat form
    • No visible machine stitching
    • One size fits most - fits up 23 3/4"
    • Please don’t hesitate to email  call or text us(708-502-1937) with any questions about stock or availability.
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    Click below for more details

    Brocade:

    Burgundy w/ Gold,Gold w/ Gold, Sage w/ Gold, Lilac w/ Gold,

    Light Blue w/ Gold, Navy w/ Gold, White w/ White, Black w/ Silver, Black w/ Gold

    Linen:

    White, Black, Red, Royal Blue, Burgundy, Purple

    Slate Blue, Sage, Dark Green, Oatmeal, Dark Brown, Gold

    “My Lady, please, you must cover your hair!”

    “Oh, Isabeau, you fussy old nursemaid, there is a veil attached to my hennin.”

    “Yes, and it covers nothing at all! Your hair streams forth like a river. It is shameful.”

    “Oh pish! Do you want me to look like a shriveled old frump? This is a tournament in honor of His Grace’s nameday. All the great of Burgundy will be there! It is shameful if I do not catch their eyes!” Indeed, the entire Order of the Golden Fleece will be gathered, along with the many young knights and squires who hope to gain its notice through their feats of arms. But most importantly, and secretly, it is the eye of one young squire in particular that is of concern….

    “Then at least pin shut your collar with a brooch. You wish to look a lady, not a strumpet!”

    “And this is the fashion of a lady; did not Franz say so when he returned from Milan? Would a strumpet of a belt with a silver buckle fastened beneath her bosom?” Then again, fingering that silly Englishman’s carnelian pin, wouldn’t it be wise to let a certain Burgundian squire know he’d best not take things for granted? “All right, Isabeau, I see your point. Perhaps a brooch would be more appropriate…”

    As a society in transition, the 15th century was if nothing else, a dramatic era, and this is reflected in its fashions. In the waning decades of the 14th century, a new style evolved as a direct contrast to the sleek, fitted women’s cotehardie. This sumptuous gown was the houppelande, and in any ways represented the perfect marriage of three centuries of women’s fashion. In this one garment, the voluminous, “angel-wing” sleeves of the 12th century combined with the loose body of the 13th, and the deep necklines of the 14th.Combined with a high-collar, full-train, an underdress, and a tall hat, or henin, the end result was a stunningly elegant gown that is associated with the “fair damsel” to this day.

    The houppelande and the accompanying henin continued to evolve throughout the 1400s, and we have chosen to reproduce a style that would have fashionable amongst courtiers and wealthy burghers throughout the second and third quarters of the 15th century. Based on primarily northern Italian and Burgundian sources, the two great fashion centers of the period, this style had a broad, international appeal, and can be found throughout England, France and the Holy Roman Empire. In honor of the garment’s inherent elegance and sumptuousness, we are introducing our henin in a dazzling array of jewel tones.

    Drawing from a book of hours of Charles the Bold, National Library in Vienna, Austria, circa 1477

    From an engraving titled ‘An Allegory of Love and Death in Florence, Italy circa 1465-70

    Drawing after a detail from 15th century Flemish Tapestry in the collection of the Metropolitan Museum of Art, NYC, United States

    A fashionable noble woman shows off her Gold on Gold brocade Henin with a sheer silk veil, complimenting her lovely orange brocade houppelande. She adds another splash of color with her bright red linen kirtle underneath, advertizing her wealth though her use of many bright colors and lavish fabrics, truly one stylish lady.

    A noble woman looks coyishly over her shoulder, her deep red brocade henin and houppelande a sign of her extravagant wealth.

    The post CLEARANCE – Women’s Medieval Henin appeared first on Revival Clothing Company.

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    CLEARANCE Womens 15th C. Linen Houppelande https://revivalclothing.com/product/clearance-womens-15th-c-linen-houppelande-copy/ https://revivalclothing.com/product/clearance-womens-15th-c-linen-houppelande-copy/#respond Thu, 22 Aug 2024 16:23:09 +0000 https://revivalclothing.com/?post_type=product&p=46962
    • CLEARANCE - save $30!
    • Limited availability, will not be restocked
    • ALL FINAL SALE
    • Full selection available on regular product pages in  Linen, Brocade and Wool
    • Based on contemporary medieval artwork(see Historical Inspirations below)
    • Made in Linen
    • Based on contemporary medieval artwork (see Historical Inspirations below)
    • Features a sumptuous double layered sleeve with contrast cuff
    • All interior seams finished
    • Contrast pieces are Cuff, Front Neck Facing, and Belt
    • Flattering and authentic fit with a neckline that can be worn 3 ways!
    • Two Sizes fits most and flatters any figure! Sizes 2/3 and 4/5
    • Please don’t hesitate to email  call or text us (708-502-1937) with any questions about stock or availability.
  • The post CLEARANCE Womens 15th C. Linen Houppelande appeared first on Revival Clothing Company.

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    Size Chart

    Size

    Max. Bust Measurement

    2/3

    up to 47″ / 119cm

    4/5

    up to 60″ / 152cm

     

    Note: In our women’s clothes we’ve abandoned ‘standard’, modern sizing because it is far from standard, and tends to cause more confusion than provide accurate information. So, please judge your size by your bust measurements. For this gown we’ve given only the maximum bust size range because this style gives an extremely flexible and flattering fit – it really does fit and look great on most sizes. This style flares dramatically from the bust line so waist and hips measurements are not an issue with fit. Although it is made of yards of fabric with generous sizing the beautiful drape of the brocade and the matching belt allows for a flattering fit in your size. The belt is meant to be pinned at the center back to fit you exactly and then use the end of the belt to create a loose ‘knightly knot’ to cover the pinned portion. Our Houppelande runs long so that you can wear it in the authentic fashion of the period – trailing along the ground or hem it to your desired length.

    Linen:

    White, Black, Red, Royal Blue, Burgundy, Purple

    Slate Blue, Sage, Dark Green, Oatmeal, Dark Brown, Gold

    Note: Please note, with the difficulty of accurately representing colors on a variety of monitors, the color names are meant as descriptions along with the swatches. Please use both when deciding on what color to order. Also, despite how the colors may appear on your monitor the same color names in Wool, Silk and Linen are different and do not exactly coordinate.

    Brocade:

    Please see our Fabric Selection page for current brocade and velvet brocade color and pattern options. Please don’t hesitate to email  call or text us(708-502-1937) with any questions about stock or availability

    “My Lady, please, you must cover your hair!

    Oh, Isabeau, you fussy old nursemaid, there is a veil attached to my hennin.

    Yes, and it covers nothing at all! Your hair streams forth like a river. It is shameful.

    Oh pish! Do you want me to look like a shriveled old frump? This is a tournament in honor of His Grace’s nameday. All the great of Burgundy will be there! It is shameful if I do not catch their eyes! Indeed, the entire Order of the Golden Fleece will be gathered, along with the many young knights and squires who hope to gain its notice through their feats of arms. But most importantly, and secretly, it is the eye of one young squire in particular that is of concern.

    Then at least pin shut your collar with a brooch. You wish to look a lady, not a strumpet!

    And this is the fashion of a lady; did not Franz say so when he returned from Milan? Would a strumpet of a belt with a silver buckle fastened beneath her bosom? Then again, fingering that silly Englishman’s carnelian pin, wouldn’t it be wise to let a certain Burgundian squire know he’d best not take things for granted? All right, Isabeau, I see your point. Perhaps a brooch would be more appropriate “

    As a society in transition, the 15th century was if nothing else, a dramatic era, and this is reflected in its fashions. In the waning decades of the 14th century, a new style evolved as a direct contrast to the sleek, fitted women’s cotehardie. This sumptuous gown was the houppelande, and in any ways represented the perfect marriage of three centuries of women’s fashion. In this one garment, the voluminous, angel-wing sleeves of the 12th century combined with the loose body of the 13th, and the deep necklines of the 14th.Combined with a high-collar, full-train, an Underdress, and a tall Hat, or Henin, the end result was a stunningly elegant gown that is associated with the fair damsel to this day.

    The houppelande continued to evolve throughout the 1400s, and we have chosen to reproduce a style that would have fashionable amongst courtiers and wealthy burghers throughout the second and third quarters of the 15th century. Based on primarily northern Italian and Burgundian sources, the two great fashion centers of the period, this style had a broad, international appeal, and can be found throughout England, France and the Holy Roman Empire. In honor of the garment’s inherent elegance and sumptuousness, we are introducing our houppelande in natural Brocade, and sumptuous Wool in a dazzling array of jewel tones. With its deep neckline, wearing the houppelande over our simple, white, linen Underdress protects milady’s modesty, and gives the ensemble its finished look. We specifically designed the neck to be worn in 3 different styles (as shown below) either with collar folded down and flared out to show off your underdress and collar bones, with the collar stood up to its for height for an elegant silhouette suited to court dress or modestly pinned closed at the neck for yet a third look.

    When we completed the prototypes for this gown we were amazed how women from waif to rubenesque could don the same garment and be instantly transformed into a lady of station and grace. When you try on yours, you’ll instantly see why this may be the most stunning gown we have ever produced!

    From a miniature of the Nine Heros in the Livre du chevalier errant by Thomas de Saluces in the Bibliotheque Nationale de France ms fr 12559 fol. 125 r/v, in Paris, France circa 1404

    Drawing after the fresco of the Feast of Herod by Filippo Lippo, Prato Cathedral, Tuscany, Italy circa 1452-60

    Drawing after wall painting by circle of Giacomo Jacuerio in the Great Hall of Castello di Manto in Piedmont, Italy circa 1411-16

    Drawing after detail of a fresco by Gregorio Franceschino in the Tomb Chapel in the Cathedral of San Giovanni Batista in Monza, Italy circa the first half of the 15th century

    Drawing after Autari and Teodolinda’s court, fresco by the Zavattari brothers in Monza Cathedral, Monza, Italy, circa 1444

    Drawing after Saint Peter Preaching, the Linaiuoli altarpiece by Fra Angelico, commissioned by the Arte dei Linaiuoli, the Guild of Linen Merchants for their meeting house in the Piazza Sant’ Andrea in Florence, Italy circa 1433

    This Lady of means flaunts her ability to add Split Sleeves to her Houppelande. There was NEVER too much fabric. She strikes a stunning pose in dark green and gold contrast Her sumptuous Houppelande. Her waist is cinched with a gold contrast belt. She preserves her modesty with a linen Veil as well as a custom headpiece. Beneath she hides away her Chemise, Stockings, and Shoes.

    Here our Lady has removed her headwear and posed in such a way to show off the split sleeves, contrast gold belt and her contrasting collar and cuffs. Note that the collar can be worn three different ways! Beneath she hides away her Chemise, Stockings, and Shoes

    The post CLEARANCE Womens 15th C. Linen Houppelande appeared first on Revival Clothing Company.

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    CLEARANCE 14th c. Brocade & Wool Men’s Cotehardie https://revivalclothing.com/product/clearance-14th-c-brocade-wool-mens-cotehardie/ https://revivalclothing.com/product/clearance-14th-c-brocade-wool-mens-cotehardie/#respond Wed, 08 May 2024 18:58:11 +0000 https://revivalclothing.com/?post_type=product&p=45840
    • CLEARANCE - save $40-60!
    • Regular price $359.95-$429.95
    • Limited availability, will not be restocked
    • ALL FINAL SALE
    • Based on contemporary medieval artwork(see Historical Inspirations below)
    • Authentic lines for comfortable, distinguished look
    • Made in Brocade or Velvet Brocade, lined in natural linen
    • Full selection available on regular product page in Linen or Wool
    • Available in a diverse palette that includes jewel tones and muted colors
    • No visible machine stitching except buttonholes
    • Comes in four sizes to accommodate most body types
    • If you would like to order this in one of our velvet brocades – use that selection in the drop down and specify which pattern(from the swatches below) in the notes of your order.
    • size XXL is available as a custom order +$40
    • This style is made to order so please allow 4-6 weeks for delivery
    • Please don’t hesitate to email  call or text us (708) 502-1937) with any questions about stock or availability.
  • The post CLEARANCE 14th c. Brocade & Wool Men’s Cotehardie appeared first on Revival Clothing Company.

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    Click below for more details

    Size Chart

    Note: our 14th century men’s cotehardie is somewhat fitted so use both chest and waist measurements to determine your size.

    Size

    Max. Chest Measurement

    Max. Waist Measurement

    Medium

    36″ / 91 cm

    35″ / 89 cm

    Large

    41″ / 104 cm

    40″ / 102 cm

    XLarge

    46″ / 117 cm

    45″ / 115 cm

    XXL

    51″ / 129 cm

    50″ / 127 cm

    Brocade Colors:

    Please see our Fabric Selection page for current brocade color and pattern options. Please don’t hesitate to email  call or text us(708) 502-1937) with any questions about stock or availability.

    Our men’s cotehardie is based on contemporary artwork, specifically the splendid examples in the Lancelot du Lac manuscript (circa 1380). This magnificently illustrated rendition of Chretien de Troyes’ account of the quest for the Grail, was produced for the court of Bernarbo Visconti, Count of Milan, and it remains one the most cherished pictorial sources for fashion, arms, and armour in aristocratic courts of the late 14th century.

    The cotehardies depicted in Lancelot are of a classic form that was particularly popular in northern Italy and France during the last quarter of the 14th century: short and closely fitted, with a long torso and a flare at the hips. There is a short, standing collar, distinctive to the last quarter of the century. The arms have a grand assiette arm-hole and are generously full to the elbow, at which point they significantly taper to follow the line of the forearm. The sleeve buttons from elbow to the cuff with cast, metal buttons, as is depicted in the manuscript. We have followed contemporary artwork by seaming the sleeve at the elbow and making the lower sleeve out of a contrasting color of fabric. This gives the garment a particularly distinctive, and dressier, look.

    The Lancelot manuscript depicts the clothing of a royal court, and their real-world counterparts would have been cut and sewn to fit each customer. Because they are a very difficult garment to fit “off the rack”, we have departed from what is illustrated using other contemporary design elements to provide a more comfortable fit. One alteration is a small slit in the side seam of each hem, allowing a greater freedom of motion when sitting or walking. Similar examples can be seen in a variety of French, English and Italian sources, such as the Epistre au roi Richart of Phillipe de Mezieres (1395), and illustrated in the manuscript il Fior di Battaglia of Fiore dei Liberi (1409). The most notable example, and one of the earliest, is the surviving cotehardie or “pourpoint” of Charles of Blois (circa 1364).

    Our cotehardie is based on contemporary artwork from a variety of sources. We have retained all of the classic elements of the historical design: long, full sleeves that taper at the wrists, a body that flares at the hips, and cast pewter buttons based on a contemporary pattern and arranged in a uniquely medieval placement. As was done in the 14th century, this cotehardie can be worn alone over a linen shirt, or beneath a houppelande. Revival cotehardies are available in linen – the ubiquitous fabric of medieval Europe -, Wool, and Brocade for the man of means. All edges are finished or fully enclosed, improving both aesthetics and durability.

    Drawing after a detail of a late 14th century illumination Walter de Hamuntesham Attacked by a Mob

    Illustration from the Romance of Alexander, French, 1338-44, fol 59r in the British Museum

    Illustration from the Romance of Alexander, French, 1338-44, fol 59r in the British Museum

    Illustration from the Romance of Alexander, French, 1338-44, fol 59r in the British Museum

    This Lord draws his dagger and takes a powerful stance in his black and silver Brocade Cotehardie. Beneath his cotehardie lies his slim cut medieval shirt. He bypasses the need for Chauses and Braies by donning a pair of Simple Cotton Hose. He matches his wool GartersDecorated Belt, and Ankle Boots. His crowning glory is a burgundy Chaperone with it’s long sumptuous tail.

    [product_reviews]

    The post CLEARANCE 14th c. Brocade & Wool Men’s Cotehardie appeared first on Revival Clothing Company.

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    CLEARANCE Womens 15th C. Split-Sleeve Houppelande https://revivalclothing.com/product/clearance-15th-c-split-sleeve-houppelande/ https://revivalclothing.com/product/clearance-15th-c-split-sleeve-houppelande/#respond Tue, 29 Aug 2023 18:33:42 +0000 https://revivalclothing.com/?post_type=product&p=43003
    • CLEARANCE - save $45!
    • Limited availability, will not be restocked
    • ALL FINAL SALE
    • Full selection available on regular product pages in Linen or Brocade and Angel Wing Sleeve version in Linen, Brocade and Wool
    • Based on contemporary medieval artwork(see Historical Inspirations below)
    • Made in Linen
    • Based on contemporary medieval artwork (see Historical Inspirations below)
    • Features a sumptuous double layered sleeve with contrast cuff
    • All interior seams finished
    • Contrast pieces are Cuff, Front Neck Facing, and Belt
    • Flattering and authentic fit with a neckline that can be worn 3 ways!
    • Two Sizes fits most and flatters any figure! Sizes 2/3 and 4/5
    • Please don’t hesitate to email  call or text us (708-502-1937) with any questions about stock or availability.
  • The post CLEARANCE Womens 15th C. Split-Sleeve Houppelande appeared first on Revival Clothing Company.

    ]]>

    Size Chart

    Size

    Max. Bust Measurement

    2/3

    up to 47″ / 119cm

    4/5

    up to 60″ / 152cm

     

    Note: In our women’s clothes we’ve abandoned ‘standard’, modern sizing because it is far from standard, and tends to cause more confusion than provide accurate information. So, please judge your size by your bust measurements. For this gown we’ve given only the maximum bust size range because this style gives an extremely flexible and flattering fit – it really does fit and look great on most sizes. This style flares dramatically from the bust line so waist and hips measurements are not an issue with fit. Although it is made of yards of fabric with generous sizing the beautiful drape of the brocade and the matching belt allows for a flattering fit in your size. The belt is meant to be pinned at the center back to fit you exactly and then use the end of the belt to create a loose ‘knightly knot’ to cover the pinned portion. Our Houppelande runs long so that you can wear it in the authentic fashion of the period – trailing along the ground or hem it to your desired length.

    Linen:

    White, Black, Red, Royal Blue, Burgundy, Purple

    Slate Blue, Sage, Dark Green, Oatmeal, Dark Brown, Gold

    Note: Please note, with the difficulty of accurately representing colors on a variety of monitors, the color names are meant as descriptions along with the swatches. Please use both when deciding on what color to order. Also, despite how the colors may appear on your monitor the same color names in Wool, Silk and Linen are different and do not exactly coordinate.

    Brocade:

    Please see our Fabric Selection page for current brocade and velvet brocade color and pattern options. Please don’t hesitate to email  call or text us(708-502-1937) with any questions about stock or availability

    “My Lady, please, you must cover your hair!

    Oh, Isabeau, you fussy old nursemaid, there is a veil attached to my hennin.

    Yes, and it covers nothing at all! Your hair streams forth like a river. It is shameful.

    Oh pish! Do you want me to look like a shriveled old frump? This is a tournament in honor of His Grace’s nameday. All the great of Burgundy will be there! It is shameful if I do not catch their eyes! Indeed, the entire Order of the Golden Fleece will be gathered, along with the many young knights and squires who hope to gain its notice through their feats of arms. But most importantly, and secretly, it is the eye of one young squire in particular that is of concern.

    Then at least pin shut your collar with a brooch. You wish to look a lady, not a strumpet!

    And this is the fashion of a lady; did not Franz say so when he returned from Milan? Would a strumpet of a belt with a silver buckle fastened beneath her bosom? Then again, fingering that silly Englishman’s carnelian pin, wouldn’t it be wise to let a certain Burgundian squire know he’d best not take things for granted? All right, Isabeau, I see your point. Perhaps a brooch would be more appropriate “

    As a society in transition, the 15th century was if nothing else, a dramatic era, and this is reflected in its fashions. In the waning decades of the 14th century, a new style evolved as a direct contrast to the sleek, fitted women’s cotehardie. This sumptuous gown was the houppelande, and in any ways represented the perfect marriage of three centuries of women’s fashion. In this one garment, the voluminous, angel-wing sleeves of the 12th century combined with the loose body of the 13th, and the deep necklines of the 14th.Combined with a high-collar, full-train, an Underdress, and a tall Hat, or Henin, the end result was a stunningly elegant gown that is associated with the fair damsel to this day.

    The houppelande continued to evolve throughout the 1400s, and we have chosen to reproduce a style that would have fashionable amongst courtiers and wealthy burghers throughout the second and third quarters of the 15th century. Based on primarily northern Italian and Burgundian sources, the two great fashion centers of the period, this style had a broad, international appeal, and can be found throughout England, France and the Holy Roman Empire. In honor of the garment’s inherent elegance and sumptuousness, we are introducing our houppelande in natural Brocade, and sumptuous Wool in a dazzling array of jewel tones. With its deep neckline, wearing the houppelande over our simple, white, linen Underdress protects milady’s modesty, and gives the ensemble its finished look. We specifically designed the neck to be worn in 3 different styles (as shown below) either with collar folded down and flared out to show off your underdress and collar bones, with the collar stood up to its for height for an elegant silhouette suited to court dress or modestly pinned closed at the neck for yet a third look.

    When we completed the prototypes for this gown we were amazed how women from waif to rubenesque could don the same garment and be instantly transformed into a lady of station and grace. When you try on yours, you’ll instantly see why this may be the most stunning gown we have ever produced!

    From a miniature of the Nine Heros in the Livre du chevalier errant by Thomas de Saluces in the Bibliotheque Nationale de France ms fr 12559 fol. 125 r/v, in Paris, France circa 1404

    Drawing after the fresco of the Feast of Herod by Filippo Lippo, Prato Cathedral, Tuscany, Italy circa 1452-60

    Drawing after wall painting by circle of Giacomo Jacuerio in the Great Hall of Castello di Manto in Piedmont, Italy circa 1411-16

    Drawing after detail of a fresco by Gregorio Franceschino in the Tomb Chapel in the Cathedral of San Giovanni Batista in Monza, Italy circa the first half of the 15th century

    Drawing after Autari and Teodolinda’s court, fresco by the Zavattari brothers in Monza Cathedral, Monza, Italy, circa 1444

    Drawing after Saint Peter Preaching, the Linaiuoli altarpiece by Fra Angelico, commissioned by the Arte dei Linaiuoli, the Guild of Linen Merchants for their meeting house in the Piazza Sant’ Andrea in Florence, Italy circa 1433

    This Lady of means flaunts her ability to add Split Sleeves to her Houppelande. There was NEVER too much fabric. She strikes a stunning pose in dark green and gold contrast Her sumptuous Houppelande. Her waist is cinched with a gold contrast belt. She preserves her modesty with a linen Veil as well as a custom headpiece. Beneath she hides away her Chemise, Stockings, and Shoes.

    Here our Lady has removed her headwear and posed in such a way to show off the split sleeves, contrast gold belt and her contrasting collar and cuffs. Note that the collar can be worn three different ways! Beneath she hides away her Chemise, Stockings, and Shoes

    The post CLEARANCE Womens 15th C. Split-Sleeve Houppelande appeared first on Revival Clothing Company.

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    CLEARANCE 15th c. Men’s Brocade Houppelande https://revivalclothing.com/product/clearance-15th-c-mens-brocade-houppelande/ https://revivalclothing.com/product/clearance-15th-c-mens-brocade-houppelande/#respond Tue, 29 Aug 2023 17:58:12 +0000 https://revivalclothing.com/?post_type=product&p=42984
    • CLEARANCE - save $30!
    • Limited availability, will not be restocked
    • ALL FINAL SALE
    • Full selection available on regular product pages in Brocade,  Linen and Wool
    • Based on contemporary medieval artwork(see Historical Inspirations below)
    • Made in Brocade and Velvet Brocade
    • No visible machine stitching
    • All interior seams finished
    • One size fits most
    • Please don’t hesitate to email  call or text us (708) 502-1937) with any questions
  • The post CLEARANCE 15th c. Men’s Brocade Houppelande appeared first on Revival Clothing Company.

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    Size Chart

    Size

    Max. Chest Measurement

    One Size

    up to 58″ / 147cm

     

    Note: Sizing on our Mens Houpplelande is judged by chest size because it is meant to fit loosely in the waist and to be worn with a belt to complete the shape and look (as shown in our photos)

    Brocade Colors:

    Please see our Fabric Selection page for current brocade color and pattern options. Please don’t hesitate to email  call or text us(708) 502-1937) with any questions about stock or availability.

     In the waning decades of the 14th century, a new style of mens and womens fashion evolved as a direct contrast to the sleek, fitted cotehardie. This sumptuous gown is called the houppelande, and while in any ways a return to the long, elegant surcoat, dalmatic or gown, it combined the voluminous, angel-wing sleeves of the 12th century, previously seen only in womens fashions, combined with the close-fitting, high collar of the late-14th century cotte. The flowing body of the houppelande was pleated and gathered in at the waist and cinctured with a narrow belt.

    The houppelande continued to evolve throughout the 1400s, and developed a rather unique and exaggerated silhouette by the 1470s. We have chosen to reproduce an earlier style of garment that reflects an earlier, more natural style fashionable amongst nobles, courtiers and wealthy burghers at the start of the 15th century. Based on the beautiful examples in the Tres Riche Houres of the Duc de Berry, this style had a broad, international appeal, and can be found throughout England, France, northern Italy and the Holy Roman Empire.

    The 14th century saw a cooling of the Earths climate, and this is reflected in the fashions that developed over the next two-hundred years. Houppelandes were often made of sumptuous fabrics such as felted wool and silk velvet, lined and edged in contrasting colors. It was usually worn over a cotehardie. Our first example is and is made of rich linen with a contrasting collar. Kept unlined for the hot summer months, the sleeves are trimmed in the same contrasting colors. A perfect garment to personalize by embroidering or block printing for that perfect, Duc de Berry look!

    Read more about the 15th century in our Pen of History article here!

    Drawing after Andria Master, Christ bring news cat.7907, fol.23 in bibliotheque nationale de france circa 1407

    Drawing after Hayton presents his Book to Jean sans Peur, Orosius Master; ms fr. 2810, fol. 226V in bibliotheque nationale de france circa 1413

    Drawing after The Devonshire Hunting Tapestries circa 1425-1450 in The Victoria and Albert Museum, London, England

    This Lord dons a black and silver Brocade Houppelande. He accents with a red Italinate Hat for a splash of color. His brown Tall Boots match his Decorated Belt. To complete his look he places his valuables in his custom brocade tasseled Pouch. Beneath he wears his Collared Shirt , Cotehardie and Simple Hose

    This Lord has opted for a striking burgundy and gold velvet Brocade Houupelande to catch the rays of sunshine. Beneath he wears his brocade Cotehardie, 15th Century Collared shirt, and gold Joined Hose.  He matches his Ankle Boots to his black Turret Hat. His black Gloves keep his hands warm and protected.

    [product_reviews]

    The post CLEARANCE 15th c. Men’s Brocade Houppelande appeared first on Revival Clothing Company.

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    CLEARANCE 15th c. Wool Doublet https://revivalclothing.com/product/clearance-15th-c-wool-doublet/ https://revivalclothing.com/product/clearance-15th-c-wool-doublet/#respond Mon, 07 Aug 2023 19:52:34 +0000 https://revivalclothing.com/?post_type=product&p=42923
    • CLEARANCE - save $65!
    • Limited availability, will not be restocked
    • ALL FINAL SALE
    • Full selection available on regular doublet products pages  in Linen, Wool and Brocade
    • Based on contemporary medieval artwork(see Historical Inspirations below)
    • Authentic lines for a comfortable, distinguished look
    • Made in Linen, lined in cotton
    • Please don’t hesitate to email  call or text us (708) 502-1937) with any questions about stock or availability.
  •  

    The post CLEARANCE 15th c. Wool Doublet appeared first on Revival Clothing Company.

    ]]>

    Size Chart

    Note: our 14th century men’s cotehardie is somewhat fitted so use both chest and waist measurements to determine your size.

    Size

    Max. Chest Measurement

    Max. Waist Measurement

    Medium

    fits up to 42″ / 106 cm

    38″ / 96 cm

    Large

    fits up to 48″ / 121 cm

    45″ / 114 cm

    XLarge

    fits up to 52″ / 132 cm

    48″ / 121 cm

     Colors:

    Please see our Fabric Selection page for current color options. Please don’t hesitate to email  call or text us (708) 502-1937) with any questions about stock or availability.

    Lace Options:

    Shown: Black and Natural laces with metal tips

    Natural comes in both silver and brass

    Shown: Colored Lacing Points

    Colored laces come with silver metal tips only.

    Forasmuch that the excessive vanity and wickedness of young men has grown to a very great height, so that many foul customs of dress are now found throughout every land. One thing in particular is the shameful practice of wearing the [doublet] cut of such brevity so that not only is boasted the turn and fullness of the calf, but that the port-piece and very curve of the buttock might thereby be revealed.

    -From a 1423 French ecclesiastical condemnation of men’s fashions.

    In the 1340s, the short, tight cotehardie had rocked the sensibilities of Churchman, who were aghast at men showing off their legs. But their admonitions proved little more effective than a 1990s father’s horror at his daughter’s low-rise jeans, and in much the same manner, the more they flustered, the more they were ignored! By the early 15th century, the cotehardie had become so short that the old style of chausses and braies had to be replaced with new joined hose that pointed directly to the cotte. This was the birth of the doublet, the dramatic, and final reinvention of men’s fashions in the Middle Ages that would give rise to the fashions of the Renaissance.

    Besides its close fit, the doublet retained many elements of its predecessor, particularly the tight, buttoned forearms, and its suitability for production in both simple and sumptuous fabrics. Besides its short length, however, one of the doublet’s distinctive trademarks in this period were full upper arms, raised or “puffed” shoulders, and simple tie closures down the front. We have chosen to replicate all of these elements in our doublet, which based on a mid-century style that developed in the wealthy and fashion-conscious cities of Italy, spread into Austria and southern Germany and from there became popular throughout central and western Europe. We have these style elements are extremely flattering to most figures – with a smooth, tailored silhouette and broad shoulders. Like the originals, our doublet is of a cut that was popular with the nobility and the wealthy mercantile classes, and is produced in both rich brocades and all-natural wools in variety of colors. The pointing holes on the short skirt, or peplum, are designed to perfectly match those of our joined hose. Perhaps more than at any other point in the Middle Ages, clothing in this period was about dramatically standing out from the crowd. To help you do just that, we recommend you add our woolen hood worn as a chaperone to complete the look of the dashing courtier or man of means.

    Detail from the fresco by Domenico di Bartolo and Lorenzo di Pietro in the Hospital of Santa Maria della Scala in Sienna, Italy circa 1440

    Detail from a Lassone panel painted in Florence and currently in the collection of the Earl of Crawford in London, England, circa 1448

    Detail from a portrait by Pisanello in the Uffizi in Florence, Italy circa 1445-50

    Detail from fresco by Masalino da Panicale in San Clemente in the chapel of Cadinal Banda in the Castiglione, Rome Italy circa 1431

    Detail from the fresco by Domenico di Bartolo and Lorenzo di Pietro in the Hospital of Santa Maria della Scala in Sienna, Italy circa 1444

    Drawing after a Book of Hours by Jean Fouquet in the Musee Conde, Chantilly, France circa 15th century

    Drawing after detail of a fresco by Gregorio Franceschino in the Tomb Chapel in the Cathedral of San Giovanni Batista in Monza, Italy circa the first half of the 15th century

    Left: This Gentleman is garbed in a red brocade Doublet, black Joined Hose, and red Leather Garters. Beneath his outerwear are his Collared Shirt, and Braies.

    Right: This lady wears a red brocade Houppelande that also matches her Henin. She wears her white linen Underdress beneath. Her Silk Veil is cut in an oval shape to flutter around her shoulders. She tucks her exposed sleeves into tan leather Gloves.

    This Fighter stands out like the sun in a golden brocade Doublet. He wears black Joined Hose, Gloves, and Shoes as a stark contrast, along with a black Medieval Belt. Beneath his doublet and hose are his Shirt and Braies. He keeps his head warm and fashionable with a beige Chaperone decorated with a large Badge.

    This Fighter takes a humble kneel in his red brocade Doublet. He wears his Shirt and Braies beneath. His Joined Hose, Garters, Belt, and Shoes are all color coordinated in black, along with his Gloves. He finished his look with a beige Chaperone Hood decorated with a large Badge.

    Left: This Gentleman is garbed in a red/gold brocade Doublet, black Joined Hose, blue Leather Garters and tan Tall Riding Boots. Beneath his outerwear are his 15th Century Collared Shirt, and Braies. He decorates his outfit with a royal blue wool Chaperone and Belt.

    Right: This lady wears a red/gold brocade Houppelande. She wears her gold linen Kirtle beneath. Her Silk Veil is pinned to a Barbette for security with Veil Pins.

    This Gentleman is garbed in a red/gold brocade Doublet, black Joined Hose, blue Leather Garters and tan Tall Riding Boots. Beneath his outerwear are his 15th Century Collared Shirt, and Braies. He decorates his outfit with a brown wool Short Tailed Hood and blue leather Belt.

    [product_reviews]

    The post CLEARANCE 15th c. Wool Doublet appeared first on Revival Clothing Company.

    ]]>
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    CLEARANCE 15th c. Linen Doublet https://revivalclothing.com/product/clearance-15th-c-linen-doublet/ https://revivalclothing.com/product/clearance-15th-c-linen-doublet/#respond Mon, 07 Aug 2023 19:40:29 +0000 https://revivalclothing.com/?post_type=product&p=42919
    • CLEARANCE - save $65!
    • Limited availability, will not be restocked
    • ALL FINAL SALE
    • Full selection available on regular doublet products pages  in Linen, Wool and Brocade
    • Based on contemporary medieval artwork(see Historical Inspirations below)
    • Authentic lines for a comfortable, distinguished look
    • Made in Linen, lined in cotton
    • Please don’t hesitate to email  call or text us (708) 502-1937) with any questions about stock or availability.
  •  

    The post CLEARANCE 15th c. Linen Doublet appeared first on Revival Clothing Company.

    ]]>

    Size Chart

    Note: our 14th century men’s cotehardie is somewhat fitted so use both chest and waist measurements to determine your size.

    Size

    Max. Chest Measurement

    Max. Waist Measurement

    Medium

    fits up to 42″ / 106 cm

    38″ / 96 cm

    Large

    fits up to 48″ / 121 cm

    45″ / 114 cm

    XLarge

    fits up to 52″ / 132 cm

    48″ / 121 cm

    Colors:

    Please see our Fabric Selection page for current color options. Please don’t hesitate to email  call or text us (708) 502-1937) with any questions about stock or availability.

    Lace Options:

    Shown: Black and Natural laces with metal tips

    Natural comes in both silver and brass

    Shown: Colored Lacing Points

    Colored laces come with silver metal tips only.

    Forasmuch that the excessive vanity and wickedness of young men has grown to a very great height, so that many foul customs of dress are now found throughout every land. One thing in particular is the shameful practice of wearing the [doublet] cut of such brevity so that not only is boasted the turn and fullness of the calf, but that the port-piece and very curve of the buttock might thereby be revealed.

    -From a 1423 French ecclesiastical condemnation of men’s fashions.

    In the 1340s, the short, tight cotehardie had rocked the sensibilities of Churchman, who were aghast at men showing off their legs. But their admonitions proved little more effective than a 1990s father’s horror at his daughter’s low-rise jeans, and in much the same manner, the more they flustered, the more they were ignored! By the early 15th century, the cotehardie had become so short that the old style of chausses and braies had to be replaced with new joined hose that pointed directly to the cotte. This was the birth of the doublet, the dramatic, and final reinvention of men’s fashions in the Middle Ages that would give rise to the fashions of the Renaissance.

    Besides its close fit, the doublet retained many elements of its predecessor, particularly the tight, buttoned forearms, and its suitability for production in both simple and sumptuous fabrics. Besides its short length, however, one of the doublet’s distinctive trademarks in this period were full upper arms, raised or “puffed” shoulders, and simple tie closures down the front. We have chosen to replicate all of these elements in our doublet, which based on a mid-century style that developed in the wealthy and fashion-conscious cities of Italy, spread into Austria and southern Germany and from there became popular throughout central and western Europe. We have these style elements are extremely flattering to most figures – with a smooth, tailored silhouette and broad shoulders. Like the originals, our doublet is of a cut that was popular with the nobility and the wealthy mercantile classes, and is produced in both rich brocades and all-natural wools in variety of colors. The pointing holes on the short skirt, or peplum, are designed to perfectly match those of our joined hose. Perhaps more than at any other point in the Middle Ages, clothing in this period was about dramatically standing out from the crowd. To help you do just that, we recommend you add our woolen hood worn as a chaperone to complete the look of the dashing courtier or man of means.

    Detail from the fresco by Domenico di Bartolo and Lorenzo di Pietro in the Hospital of Santa Maria della Scala in Sienna, Italy circa 1440

    Detail from a Lassone panel painted in Florence and currently in the collection of the Earl of Crawford in London, England, circa 1448

    Detail from a portrait by Pisanello in the Uffizi in Florence, Italy circa 1445-50

    Detail from fresco by Masalino da Panicale in San Clemente in the chapel of Cadinal Banda in the Castiglione, Rome Italy circa 1431

    Detail from the fresco by Domenico di Bartolo and Lorenzo di Pietro in the Hospital of Santa Maria della Scala in Sienna, Italy circa 1444

    Drawing after a Book of Hours by Jean Fouquet in the Musee Conde, Chantilly, France circa 15th century

    Drawing after detail of a fresco by Gregorio Franceschino in the Tomb Chapel in the Cathedral of San Giovanni Batista in Monza, Italy circa the first half of the 15th century

    Left: This Gentleman is garbed in a red brocade Doublet, black Joined Hose, and red Leather Garters. Beneath his outerwear are his Collared Shirt, and Braies.

    Right: This lady wears a red brocade Houppelande that also matches her Henin. She wears her white linen Underdress beneath. Her Silk Veil is cut in an oval shape to flutter around her shoulders. She tucks her exposed sleeves into tan leather Gloves.

    This Fighter stands out like the sun in a golden brocade Doublet. He wears black Joined Hose, Gloves, and Shoes as a stark contrast, along with a black Medieval Belt. Beneath his doublet and hose are his Shirt and Braies. He keeps his head warm and fashionable with a beige Chaperone decorated with a large Badge.

    This Fighter takes a humble kneel in his red brocade Doublet. He wears his Shirt and Braies beneath. His Joined Hose, Garters, Belt, and Shoes are all color coordinated in black, along with his Gloves. He finished his look with a beige Chaperone Hood decorated with a large Badge.

    Left: This Gentleman is garbed in a red/gold brocade Doublet, black Joined Hose, blue Leather Garters and tan Tall Riding Boots. Beneath his outerwear are his 15th Century Collared Shirt, and Braies. He decorates his outfit with a royal blue wool Chaperone and Belt.

    Right: This lady wears a red/gold brocade Houppelande. She wears her gold linen Kirtle beneath. Her Silk Veil is pinned to a Barbette for security with Veil Pins.

    This Gentleman is garbed in a red/gold brocade Doublet, black Joined Hose, blue Leather Garters and tan Tall Riding Boots. Beneath his outerwear are his 15th Century Collared Shirt, and Braies. He decorates his outfit with a brown wool Short Tailed Hood and blue leather Belt.

    [product_reviews]

    The post CLEARANCE 15th c. Linen Doublet appeared first on Revival Clothing Company.

    ]]>
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    CLEARANCE 15th c. Brocade Doublet https://revivalclothing.com/product/clearance-15th-c-brocade-doublet/ https://revivalclothing.com/product/clearance-15th-c-brocade-doublet/#respond Mon, 07 Aug 2023 18:57:34 +0000 https://revivalclothing.com/?post_type=product&p=42910
    • CLEARANCE - save $50!
    • Limited availability, will not be restocked
    • ALL FINAL SALE
    • Actual color shown below
    • Full selection available on regular doublet products pages  in Linen, Wool and Brocade
    • Based on contemporary medieval artwork(see Historical Inspirations below)
    • Authentic lines for a comfortable, distinguished look
    • Made in  Brocade, lined in cotton
    • Please don’t hesitate to email  call or text us (708) 502-1937) with any questions about stock or availability.
  •  

    The post CLEARANCE 15th c. Brocade Doublet appeared first on Revival Clothing Company.

    ]]>

    Size Chart

    Note: our 15th century men’s doublet is somewhat fitted so use both chest and waist measurements to determine your size.

    Size

    Max. Chest Measurement

    Max. Waist Measurement

    Medium

    fits up to 42″ / 106 cm

    38″ / 96 cm

    Large

    fits up to 48″ / 121 cm

    45″ / 114 cm

    XLarge

    fits up to 52″ / 132 cm

    48″ / 121 cm

    Brocade Colors:

    Please see our Fabric Selection page for current brocade color and pattern options. Please don’t hesitate to email  call or text us (708) 502-1937) with any questions about stock or availability.

    Lace Options:

    Shown: Black and Natural laces with metal tips

    Natural comes in both silver and brass

    Shown: Colored Lacing Points

    Colored laces come with silver metal tips only.

    Forasmuch that the excessive vanity and wickedness of young men has grown to a very great height, so that many foul customs of dress are now found throughout every land. One thing in particular is the shameful practice of wearing the [doublet] cut of such brevity so that not only is boasted the turn and fullness of the calf, but that the port-piece and very curve of the buttock might thereby be revealed.

    -From a 1423 French ecclesiastical condemnation of men’s fashions.

    In the 1340s, the short, tight cotehardie had rocked the sensibilities of Churchman, who were aghast at men showing off their legs. But their admonitions proved little more effective than a 1990s father’s horror at his daughter’s low-rise jeans, and in much the same manner, the more they flustered, the more they were ignored! By the early 15th century, the cotehardie had become so short that the old style of chausses and braies had to be replaced with new joined hose that pointed directly to the cotte. This was the birth of the doublet, the dramatic, and final reinvention of men’s fashions in the Middle Ages that would give rise to the fashions of the Renaissance.

    Besides its close fit, the doublet retained many elements of its predecessor, particularly the tight, buttoned forearms, and its suitability for production in both simple and sumptuous fabrics. Besides its short length, however, one of the doublet’s distinctive trademarks in this period were full upper arms, raised or “puffed” shoulders, and simple tie closures down the front. We have chosen to replicate all of these elements in our doublet, which based on a mid-century style that developed in the wealthy and fashion-conscious cities of Italy, spread into Austria and southern Germany and from there became popular throughout central and western Europe. We have these style elements are extremely flattering to most figures – with a smooth, tailored silhouette and broad shoulders. Like the originals, our doublet is of a cut that was popular with the nobility and the wealthy mercantile classes, and is produced in both rich brocades and all-natural wools in variety of colors. The pointing holes on the short skirt, or peplum, are designed to perfectly match those of our joined hose. Perhaps more than at any other point in the Middle Ages, clothing in this period was about dramatically standing out from the crowd. To help you do just that, we recommend you add our woolen hood worn as a chaperone to complete the look of the dashing courtier or man of means.

    Detail from the fresco by Domenico di Bartolo and Lorenzo di Pietro in the Hospital of Santa Maria della Scala in Sienna, Italy circa 1440

    Detail from a Lassone panel painted in Florence and currently in the collection of the Earl of Crawford in London, England, circa 1448

    Detail from a portrait by Pisanello in the Uffizi in Florence, Italy circa 1445-50

    Detail from fresco by Masalino da Panicale in San Clemente in the chapel of Cadinal Banda in the Castiglione, Rome Italy circa 1431

    Detail from the fresco by Domenico di Bartolo and Lorenzo di Pietro in the Hospital of Santa Maria della Scala in Sienna, Italy circa 1444

    Drawing after a Book of Hours by Jean Fouquet in the Musee Conde, Chantilly, France circa 15th century

    Drawing after detail of a fresco by Gregorio Franceschino in the Tomb Chapel in the Cathedral of San Giovanni Batista in Monza, Italy circa the first half of the 15th century

    Left: This Gentleman is garbed in a red brocade Doublet, black Joined Hose, and red Leather Garters. Beneath his outerwear are his Collared Shirt, and Braies.

    Right: This lady wears a red brocade Houppelande that also matches her Henin. She wears her white linen Underdress beneath. Her Silk Veil is cut in an oval shape to flutter around her shoulders. She tucks her exposed sleeves into tan leather Gloves.

    This Fighter stands out like the sun in a golden brocade Doublet. He wears black Joined Hose, Gloves, and Shoes as a stark contrast, along with a black Medieval Belt. Beneath his doublet and hose are his Shirt and Braies. He keeps his head warm and fashionable with a beige Chaperone decorated with a large Badge.

    This Fighter takes a humble kneel in his red brocade Doublet. He wears his Shirt and Braies beneath. His Joined Hose, Garters, Belt, and Shoes are all color coordinated in black, along with his Gloves. He finished his look with a beige Chaperone Hood decorated with a large Badge.

    Left: This Gentleman is garbed in a red/gold brocade Doublet, black Joined Hose, blue Leather Garters and tan Tall Riding Boots. Beneath his outerwear are his 15th Century Collared Shirt, and Braies. He decorates his outfit with a royal blue wool Chaperone and Belt.

    Right: This lady wears a red/gold brocade Houppelande. She wears her gold linen Kirtle beneath. Her Silk Veil is pinned to a Barbette for security with Veil Pins.

    This Gentleman is garbed in a red/gold brocade Doublet, black Joined Hose, blue Leather Garters and tan Tall Riding Boots. Beneath his outerwear are his 15th Century Collared Shirt, and Braies. He decorates his outfit with a brown wool Short Tailed Hood and blue leather Belt.

    [product_reviews]

    The post CLEARANCE 15th c. Brocade Doublet appeared first on Revival Clothing Company.

    ]]>
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    Medieval Women’s Brocade Houppelande Full Wardrobe https://revivalclothing.com/product/womens-brocade-houppelande-wardrobe/ https://revivalclothing.com/product/womens-brocade-houppelande-wardrobe/#respond Tue, 29 Mar 2022 17:22:49 +0000 https://revivalclothing.com/?post_type=product&p=41173
  • Save 10% and more!
  • Please see individual clothing pages for sizing information on each piece
  • Price: $649.95 –Regularly $723 – You save $74!!
  • The following leather goods can be added for an additional discount!
  • A women's Formal Hat - called a Henin - can be added for an additional $50 discount!
  • Size 6 linen underdress available as custom order +$40
  • All shoe sizes are unisex – please see each shoe page for sizing charts.
  • If you are between two sizes or intend to add a modern insole, we recommend ordering the next size up. In addition, turned and stitched shoes tend to be snug in the toe, so we recommend ordering a size larger than your regular size.
  • Ideal for a new reenactor in need of an entire wardrobe
  • Available in a diverse palette that includes jewel tones and muted colors
  • Please don’t hesitate to email call or text us (708) 502-1937) with any questions about stock or availability.
  • See our photo gallery below for images of individual products
  • The post Medieval Women’s Brocade Houppelande Full Wardrobe appeared first on Revival Clothing Company.

    ]]>

    Click below for more details

    Please see our Fabric Selection page for current brocade color and pattern options. Please don’t hesitate to email  call or text us (708-502-1937) with any questions about stock or availability

    Left: This Lady stands regal and confident in her burgundy and gold Houppelande.  Beneath she wears a black linen Kirtle. Hidden from sight she wears a ChemiseStockings, and Ankle Boots.

    Right: This Lord stands radiant and proud in his burgundy and gold Houppelande. He matches his Chaperone to his black Tall Boots. Beneath he wears his 15th Century Collared Shirt and Simple Hose. He accents his waist with a Decorated Belt.

    Houppelande with black Underdress. Also shown are linen Veil and black Turret Hat. Beneath her houppelande she wears linen Stockings with wool Garters and Ankle Boots

    Linen Veil with Wimple

    Linen Underdress.

    This Lady smiles for her close up in a blue linen Kirtle and custom brocade Surcoat. She covers her neck and hair with a Wimple and Pins her Veil into place under her Turret Hat

    Gold linen Stockings with ribbon garters.

    Black Leather Kidney Pouch

    Wool Garters

    Brown Leather Tall Boots

    Simple Medieval Leather Belt

    Black Leather Turn Shoe

    Brown Ankle Boot

    [product_reviews]

    Complete The Look

    The post Medieval Women’s Brocade Houppelande Full Wardrobe appeared first on Revival Clothing Company.

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    15th c. Brocade Doublet https://revivalclothing.com/product/brocade-doublet/ https://revivalclothing.com/product/brocade-doublet/#respond Fri, 21 Dec 2018 03:27:57 +0000 https://revivalclothing.com/?post_type=product&p=32477
    • Based on contemporary medieval artwork(see Historical Inspirations below)
    • Authentic lines for a comfortable, distinguished look
    • Made in Brocade or Velvet Brocade, lined in cotton
    • Also available in Linen or Wool
    • Comes in a dazzling array of jewel tones and neutrals in a two tone contrasting floral pattern
    • No visible machine stitching except buttonholes
    • Comes in three sizes to accommodate most body types
    • If you would like to order this in one of our velvet brocades – use that selection in the drop down and specify which pattern(from the swatches below) in the notes of your order.
    • You can upgrade to metal tipped points (+$24) that come in natural and colors
    • This style is made to order so please allow 4-6 weeks for delivery
    • Please don’t hesitate to email  call or text us (708) 502-1937) with any questions about stock or availability.
  • The post 15th c. Brocade Doublet appeared first on Revival Clothing Company.

    ]]>

    Size Chart

    Note: our 15th century men’s doublet is somewhat fitted so use both chest and waist measurements to determine your size.

    Size

    Max. Chest Measurement

    Max. Waist Measurement

    Medium

    fits up to 42″ / 106 cm

    38″ / 96 cm

    Large

    fits up to 48″ / 121 cm

    45″ / 114 cm

    XLarge

    fits up to 52″ / 132 cm

    48″ / 121 cm

    Brocade Colors:

    Please see our Fabric Selection page for current brocade color and pattern options. Please don’t hesitate to email  call or text us (708) 502-1937) with any questions about stock or availability.

    Lace Options:

    Shown: Black and Natural laces with metal tips

    Natural comes in both silver and brass

    Shown: Colored Lacing Points

    Colored laces come with silver metal tips only.

    Forasmuch that the excessive vanity and wickedness of young men has grown to a very great height, so that many foul customs of dress are now found throughout every land. One thing in particular is the shameful practice of wearing the [doublet] cut of such brevity so that not only is boasted the turn and fullness of the calf, but that the port-piece and very curve of the buttock might thereby be revealed.

    -From a 1423 French ecclesiastical condemnation of men’s fashions.

    In the 1340s, the short, tight cotehardie had rocked the sensibilities of Churchman, who were aghast at men showing off their legs. But their admonitions proved little more effective than a 1990s father’s horror at his daughter’s low-rise jeans, and in much the same manner, the more they flustered, the more they were ignored! By the early 15th century, the cotehardie had become so short that the old style of chausses and braies had to be replaced with new joined hose that pointed directly to the cotte. This was the birth of the doublet, the dramatic, and final reinvention of men’s fashions in the Middle Ages that would give rise to the fashions of the Renaissance.

    Besides its close fit, the doublet retained many elements of its predecessor, particularly the tight, buttoned forearms, and its suitability for production in both simple and sumptuous fabrics. Besides its short length, however, one of the doublet’s distinctive trademarks in this period were full upper arms, raised or “puffed” shoulders, and simple tie closures down the front. We have chosen to replicate all of these elements in our doublet, which based on a mid-century style that developed in the wealthy and fashion-conscious cities of Italy, spread into Austria and southern Germany and from there became popular throughout central and western Europe. We have these style elements are extremely flattering to most figures – with a smooth, tailored silhouette and broad shoulders. Like the originals, our doublet is of a cut that was popular with the nobility and the wealthy mercantile classes, and is produced in both rich brocades and all-natural wools in variety of colors. The pointing holes on the short skirt, or peplum, are designed to perfectly match those of our joined hose. Perhaps more than at any other point in the Middle Ages, clothing in this period was about dramatically standing out from the crowd. To help you do just that, we recommend you add our woolen hood worn as a chaperone to complete the look of the dashing courtier or man of means.

    Detail from the fresco by Domenico di Bartolo and Lorenzo di Pietro in the Hospital of Santa Maria della Scala in Sienna, Italy circa 1440

    Detail from a Lassone panel painted in Florence and currently in the collection of the Earl of Crawford in London, England, circa 1448

    Detail from a portrait by Pisanello in the Uffizi in Florence, Italy circa 1445-50

    Detail from fresco by Masalino da Panicale in San Clemente in the chapel of Cadinal Banda in the Castiglione, Rome Italy circa 1431

    Detail from the fresco by Domenico di Bartolo and Lorenzo di Pietro in the Hospital of Santa Maria della Scala in Sienna, Italy circa 1444

    Drawing after a Book of Hours by Jean Fouquet in the Musee Conde, Chantilly, France circa 15th century

    Drawing after detail of a fresco by Gregorio Franceschino in the Tomb Chapel in the Cathedral of San Giovanni Batista in Monza, Italy circa the first half of the 15th century

    Left: This Gentleman is garbed in a red brocade Doublet, black Joined Hose, and red Leather Garters. Beneath his outerwear are his Collared Shirt, and Braies.

    Right: This lady wears a red brocade Houppelande that also matches her Henin. She wears her white linen Underdress beneath. Her Silk Veil is cut in an oval shape to flutter around her shoulders. She tucks her exposed sleeves into tan leather Gloves.

    This Fighter stands out like the sun in a golden brocade Doublet. He wears black Joined Hose, Gloves, and Shoes as a stark contrast, along with a black Medieval Belt. Beneath his doublet and hose are his Shirt and Braies. He keeps his head warm and fashionable with a beige Chaperone decorated with a large Badge.

    This Fighter takes a humble kneel in his red brocade Doublet. He wears his Shirt and Braies beneath. His Joined Hose, Garters, Belt, and Shoes are all color coordinated in black, along with his Gloves. He finished his look with a beige Chaperone Hood decorated with a large Badge.

    Left: This Gentleman is garbed in a red/gold brocade Doublet, black Joined Hose, blue Leather Garters and tan Tall Riding Boots. Beneath his outerwear are his 15th Century Collared Shirt, and Braies. He decorates his outfit with a royal blue wool Chaperone and Belt.

    Right: This lady wears a red/gold brocade Houppelande. She wears her gold linen Kirtle beneath. Her Silk Veil is pinned to a Barbette for security with Veil Pins.

    This Gentleman is garbed in a red/gold brocade Doublet, black Joined Hose, blue Leather Garters and tan Tall Riding Boots. Beneath his outerwear are his 15th Century Collared Shirt, and Braies. He decorates his outfit with a brown wool Short Tailed Hood and blue leather Belt.

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